'Avengers: Infinity War' Review

Sorry that I wasn't able to share this review as soon as I would have liked, but I had finals to worry about and that took precedence over writing this review. However, that did enable me to see the film a second time after my last final and the poll I put out on Twitter indicated my followers would rather wait to read my thoughts after two viewings rather than my initial take on it. This review will in-fact be spoiler-free so I'm taking great care not to discuss plot points in detail and remain as vague as I possibly can while providing my opinion. Now with all that out of the way, let's get going.

'Avengers: Infinity War' Review

Nominated For: Best Visual Effects. 

Avengers: Infinity War follows the Mad Titan Thanos as he and his henchman, the Black Order, seek out the six Infinity Stones in order to fully assemble the Infinity Gauntlet. Once the gauntlet is complete, it can grant the wielder control over all space, time, reality, mind, soul, and power, giving Thanos the means to bring balance to the universe as he sees fit. With the universe at stake, the Avengers must reunite and ally themselves with the likes of Doctor Strange, Spider-Man, Black Panther, and the Guardians of the Galaxy if they're to have any chance at stopping Thanos.

At long last, the decade long Marvel journey has brought us to this moment... Avengers: Infinity War is an unprecedented cinematic event that has truly been ten years in the making thanks to an interconnected series of of eighteen films preceding it. The history of what's come before only enabled directors Anthony and Joe Russo and screenwriters Christopher Markus and Stephen McFeely to hit the ground running at a breakneck pace because all the pieces were already in place for this cinematic culmination. While longtime Marvel fans who've diligently kept up with the films in the franchise won't take issue with this, I imagine someone who's only seen a few Marvel movies or none at all would be fairly lost. This isn't to say you "have" to go marathon them all beforehand, but the dramatic weight of it all desperately depends on a familiarity with the universe so seeing the others first will only enhance your experience. Otherwise, you may be a bit confused as to why everyone else is crying and cheering around you.

On that note, it's almost impossible to go into Infinity War without a certain set of expectations because it's meant to be the pay-off for watching ten years worth of Marvel movies. After The Avengers, the door was blown wide open for these characters to come together so, naturally, fans have been antsy to see certain characters interact as Marvel expanded its universe. Being a fan myself, I was incredibly excited for Infinity War. However, accompanying my immense expectations were a few concerns. First of which was wondering how in the world were the Russos, Markus, and McFeely going to balance an ensemble of over twenty heroes while adapting such beloved source material?

 

Well, I don't know how they did it, but they pulled it off... Not every character has a complete character arc per-say, but they all get their moment in the spotlight and that was more than enough for me. Infinity War also gets a lot of mileage out of bringing many of these characters together for the first time as it's remarkably entertaining. This film's nearly three hours long, but I've found myself invested from start-to-finish both times I've seen it because it's such an emotionally-charged experience. When leaving the theater, you may not quite know how you're supposed to feel because there will be so many complex emotions for you to unpack thanks to an insane ending.

Visually, the film's chocked full of stunning spectacle with illustrious cinematography, outstanding visual effects, and action that's both epic and engaging. And I'd be remiss not to mention the costuming, production design, or editing, which are also quite impressive. To make matters even better, Alan Silvestri returned to score the flick with a compilation of sweeping, grandiose compositions that further bestow gravitas to the proceeding events. 

Which leads to my other concern... Marvel doesn't have the greatest track record with its villains, so while recent Phase 3 installments have turned that around, I was still anxious that Thanos may not live up to his comic-book depiction or the hype built up around him, and I couldn't have possibly been more wrong... At the end of the day, Josh Brolin steals the show as Thanos and proves to be one of the best comic book antagonists put to screen yet. Thanos isn't really "relatable," but his twisted methodology is understandable while his conviction is respectable. Thanos is a being who's willing to do whatever it takes to accomplish his goal and that makes him quite intimidating as he leaves a terrible trail of death and destruction in his wake. Nevertheless, Brolin brought a layer of humanity to the Mad Titan that caught me totally off-guard and made me somewhat sympathetic to his cause. Additionally, Thanos is one of the best examples of motion-capture done right in a mainstream blockbuster. Brolin's performance shines through the visual effects wizardry in such a way that the intergalactic tyrant feels grounded and real as opposed to over-the-top and cartoonish.

Filling out his Black Order are Tom Vaughan-Lawlor, Terry Notary, Carrie Coon, and Michael James Shaw as Ebony Maw, Cull Obsidian, Proxima Midnight, and Corvus Glaive respectively. Each proves to be a worthy adversary for the Avengers, but they're ultimately lackeys for Thanos. Ebony Maw definitely stood apart from the others though.

In regards to the immense ensemble, almost every living Marvel character makes their way into the cast of characters, so I could go on all day if I were to list every character since they're each perfectly cast to begin with. Instead, I'm going to simply spotlight the standout heroes in no particular order. First up, there's the grouping of Robert Downey Jr., Benedict Cumberbatch, and Tom Holland as Tony Stark, Stephen Strange, and Peter Parker (or Iron Man, Doctor Strange, and Spider-Man if you want to use their "made-up names"). These three made for a fascinating trio who exhibit some extraordinary acting chops with a great group dynamic amongst themselves. 

It should then come as no surprise that I'd bring up Chris Evans' performance considering Captain America is my favorite Marvel character, but Evans does a swell job returning to the role once more as he brings a new spin on the character to show how he's changed as a result of the events in Captain America: Civil War.

Others I feel obligated to mention are Paul Bettany and Elizabeth Olsen in the roles of Vision and Scarlet Witch. It may seem odd, but the romantic relationship that's been developed between them really takes off as one of many emotional tethering points spread throughout the film thanks to a believable chemistry between Olsen and Bettany. 

Perhaps the most surprising standout for me though was Chris Hemsworth's Thor. Till Thor: Ragnarok, I never really cared much for Thor as a character and found him to be one of the least interesting Avengers. However, I'm really liking the recent progression of his character and the Russos, Markus, and McFeely did a marvelous job furthering his arc after all that happened to him in Ragnarok. Hemsworth seriously steals the show with some of the best moments of action and humor while his rapport with Rocket and Groot was delightful to say the least. 

Lastly, Gamora plays a pivotal role as a daughter of Thanos, and Zoe Saldana really steps up to the plate. Gamora proves to be one of the significant emotional lynch-pins of the film due to her relationship with Thanos. The dynamic between Saldana and Brolin really sells that complicated connection in ways one wouldn't really expect. 

In summation, Avengers: Infinity War doesn't simply throw down the Infinity Gauntlet for contention as Marvel's best film yet. It does so much more. The Russo brothers slam the gauntlet down and assert the film's irrefutable dominance over all that's come before it. I never thought I'd say this, but the preceding Marvel films look cute in comparison. 

Film Assessment: A+ A-

Throwback Thursday Review: 'The Avengers'

Sorry for the lack of Throwback Thursday Reviews recently, as well as the delay on this review, but I'm finding it increasingly more difficult to set aside time to write these in the final weeks of my spring semester as assignments, projects, and exams head my way. If you'd like to have an idea of upcoming content for the blog, read the next few paragraphs. Otherwise, go ahead and skip past to read my review of The Avengers.

I mentioned this in my last Throwback Thursday Review, but all my finals are scheduled the same week Avengers: Infinity War will be released, so there won't be any Throwback Thursdays for the remainder of this month. Reviews you can expect for the remainder of April include my thoughts on Rampage and Avengers: Infinity War, and I'll be writing a Triple-R for Avengers: Age of Ultron next week instead of a Throwback Thursday Review to tie into the Marvel motif. 

Speaking of which, I began my Marvel marathon to prepare myself for Infinity War and successfully watched all of Phase One last weekend (this means Iron Man, The Incredible Hulk, Iron Man 2, Thor, Captain America: The First Avenger, and, of course, The Avengers). I hope to watch all the Phase Two this weekend and get through Phase Three next weekend. I won't be re-reviewing all of them because that's a daunting task to complete before April 27th, but it's been a while since I last shared my MCU ranking so I'm reranking the films as I watch them to share my most accurate ranking with you all. However, I'm going to hold off till Ant-Man and the Wasp is released in July since that will be the twentieth installment to the Marvel Cinematic Universe and I like the idea of rounding out my list by ranking twenty rather than nineteen. I'll also have a better idea of where Infinity War fits by then, so it's truly for the best.

'The Avengers' Review

Nominated For: Best Visual Effects.

When Thor's mischievous, evil brother Loki gains control of the mystical, all powerful Tesseract, Earth is threatened by the prospect of alien invasion. In response, S.H.I.E.L.D. Director Nick Fury implements the Avengers Initiative and calls upon Earth's mightiest heroes to come together and learn to fight as a team to defeat this unprecedented threat. 

Believe it or not, but The Avengers is somehow the one entry of the Marvel Cinematic Universe that I have yet to review. I wasn't blogging at the time and hardly had any online presence aside from perhaps... Facebook? I was barely a freshman in high school and I'm now about to enter my Senior year of college. Nevertheless, I can remember my initial experience and anticipation going into the film vividly. This was among one of my first experiences watching a blockbuster that felt like a genuine event. It was the culmination of six other films that brought together characters on a scale never before seen or attempted for that matter. Sure, there have been other feature length crossovers before The Avengers, but never one that was THIS grand. It was like a comic-book crossover, but on the big screen. 

Comic-book movies had made big bucks before, but this was the first one to really break the bank as it emerged to be the third highest grossing film of all time worldwide with the highest opening weekend of all time at the time of release. It's since fallen to fifth highest grossing worldwide with the fourth highest opening weekend, but that's an impressive hold considering those above it are established franchises. I say all this not simply to tell you the film was successful, as you probably already know that, but to stress its importance as an instant worldwide phenomenon. B/C-list comic-book characters became easily recognizable and an integral part of modern pop culture in almost an instant. Anyways, enough about my attachment to The Avengers and its major success. You came here to read a review, didn't you?

The Avengers was written and directed by Joss Whedon, with Zak Penn co-credited for the feature's story. Say what you will about the man for his work on Justice League, but that was hardly his fault and there's no denying Whedon's got geek-cred when you look at his long list of writing credits. In fact, Whedon's ability to write quippy one-liners is undoubtedly his strongest asset as a filmmaker. I say this not because the lines are funny, but because they're genuinely quotable. I can recite an embarrassing amount of dialogue from The Avengers off the top of my head, and it's not just because I've seen the film countless times. It's because those lines are memorable and stuck with me through thick-and-thin for the last six years. While it may be a bit too early to cement The Avengers as a classic blockbuster, it's undeniably become a significant cornerstone of pop culture in the years since its release.

When you zero in on what Whedon brought to the project as a director, you'll quickly find that he handled tone and action remarkably well. The Avengers is equal parts serious, exciting, and immensely entertaining. A sense of stakes are integrated from the outset, it's a delight to see the heroes' personalities clash as they come together in middle, and the third act never ceases to amaze as I'm subjected to an overwhelming sense of awe and wonder with each and every viewing. I'm always particularly amazed by the tracking shot spotlighting each of the Avengers as they fight amidst the Battle of New York. The action spread throughout is all great though as some of Earth's Mightiest Heroes duke it out with each other before finally coming together for the greater good. One more element that definitely deserves a mention is the score composed by Alan Silvestri. Silvestri's score is really responsible for much of the film's gravitas, but is often overlooked in favor of complementing the film's other components. 

The Avengers is also one of many Marvel productions to have been nominated for Best Visual Effects by the Academy, and it's not too hard to see why. It's been six years since its release, yet the effects haven't aged a day. Go back to other effects-heavy blockbusters released in 2012 and you'll find that's not always the case. The respective designs for Hulk and Iron Man are among the best visual renderings of those characters to this very day. The Iron Man armor doesn't look too sleek and streamlined while Hulk isn't an odd rubbery-looking shade of green. They're each just right. 

If I were to nitpick, the first act doesn't lend itself well to rewatches in comparison to the rest of the MCU. However, the build-up is necessary and still entertaining. It's just a bit tedious as I always find myself eager to see the characters meet each other again, but the wait's always worth it because the character interactions are always incredible to behold. Just about every character thrown into the mix interacts with others in one form or another (whether it be verbal sparring or a physical confrontation). Which, in and of itelf, is kinda why The Avengers is still charming.

Of course, the film needed to assemble a worthy ensemble if this was ever going to work, but Marvel's casting department thankfully hasn't let us down yet! Robert Downey Jr., Chris Evans, Chris Hemsworth, Mark Ruffalo, Scarlett Johansson, and Jeremy Renner are all the spitting image of their comic-book counterparts and embody their characters in a way that I can hardly see any other actors taking over in the future. I'm not going to get into the nitty-gritty for each character because you've probably heard me praise them all in other reviews, but Ruffalo in particular was a big step-up from Edward Norton's Bruce Banner/Hulk. Not that Norton's a bad actor, but Ruffalo has a better grasp on the character in my opinion. I think Ruffalo is a more believable scientist as Banner and better communicates the character's struggle and inner darkness in ways Norton just wasn't suited for. 

As for supporting S.H.I.E.L.D. agents, Samuel L. Jackson, Cobie Smulders, and Clark Gregg are equally perfect for the respective roles of Nick Fury, Maria Hill, and Phil Coulson. Jackson's got the grit for Fury, Smulders is sufficiently badass as Hill, and I can hardly end the review without taking time to spotlight Coulson. Clark Gregg was such a delightful presence in the cinematic side of things so, of course, that's how Agents of S.H.I.E.L.D. came about. I really have missed the character in the films and am ecstatic about the recent news he'd be returning in Captain Marvel since that takes place in the '90s. However, I'd still like to see Coulson encounter the Avengers again sometime in the future.

Last, but certainly not least, would be the God of Mischief. To this day, I think The Avengers is Tom Hiddleston's best outing as Loki because he really gets to relish in the villainy before being relegated to an anti-hero in the next two Thor flicks. Hiddleston chews the scenery like there's no tomorrow and plays well paired against the likes of Downey, Jackson, and Johansson to name a few. All the while, Loki's end goal is maniacal, yet understandable due to his upbringing and that's why he's still one of the very best Marvel villains despite his later flirtations with the light side.

I'd daresay The Avengers is irrefutably a defining blockbuster for my generation. It exploded onto the pop-culture scene because it's epic, action-packed, and full of humor and heart. It's been six years, and I still get giddy staring at the above iconic group shot. Few frames have that effect on an individual. Much less the whole globe. 

Film Assessment: A+

'Thor: Ragnarok' Review

[This review was originally written in November 2017 and is now being published that my internship is over. For an explanation of this, visit my Fall 2017 Important Update post.] 

Thor: Ragnarok picks up about two years after the events of Avengers: Age Of Ultron as Thor is following up on the visions he had regarding the destruction of Asgard, also known as Ragnarok. After seemingly stopping Ragnarok for good, Thor returns to Asgard only to learn Loki has been impersonating Odin since the end of Thor: The Dark World. The two adopted brothers then journey to Earth in order to retrieve the Allfather, but things don't go as planned when Hela, the Goddess of Death, escapes her eternal imprisonment, destroys Mjionir, and the two brothers wind up on the gladiatorial planet of Sakaar. Once there, Thor is made one of the Grand Master's champions and pitted in battle against one of his fellow Avengers, the Hulk. Thor must then find a way to escape Sakaar alongside his friends and make it to Asgard to stop Hela from bringing ruin and destruction to the Nine Relams.

Thor: Ragnarok happens to be the seventeenth installment in Marvel's ever-expanding catalogue of superhero films on top of being the God of Thunder's third outing, so naturally Marvel would want to shake things up, and they have done just that by bringing comedic director Taika Waititi onboard. The Thor franchise honestly needed a facelift, and Waititi rejuvenates the mighty Avenger by infusing his own comedic sensibilities and an electrifying eighties-vibe while fundamentally deconstructing the titular character. Ragnarok effectively integrates the cosmic fun of Guardians of the Galaxy with the world first established in Thor. It's the Marvel cosmos meeting Marvel's take on Norse mythology.

This change-up is made abundantly clear once Thor's mighty hammer is smashed to smithereens, his luscious locks are snipped, and he's thrown into an arena to battle the Hulk. Thor's also traditionally been the straight-man, but someone over at Marvel must have taken note of Hemsworth's natural knack for humor, so instead he spouts quips from the get-go. This departure is a tad unusual and admittedly jarring at first, but you'll settle into the adjustments as the film proceeds. In fact, that won't take too long due to the lightning-fast pacing of Thor: Ragnarok's opening. 

Once the film starts, it doesn't take time to breathe, so the beginning portion of the film effectively feels very rushed with the intention of hurriedly sweeping many of the remaining franchise elements under the rug. For me, the film didn't totally find its groove till Thor arrived on Sakaar. At that point, everything slows down a bit and we spend some sizable time on a Jeff Goldblum-ruled, gladiatorial utopia, which is glorious. 

One of the film's other predicaments was simply some ill-timed humor. Serious moments aren't permitted to hold the expected weight or gravity because Waititi or one of the screen-writers thought it'd be funny to throw in a joke. I feel Waititi missed the mark on providing appropriately-timed comic relief to match the more serious situations. Instead of inserting jokes as a source of levity AFTER the event, Waititi chose to throw them straight in the midst of these situations. I think this film is the prime example of what most DC fans point to when they say they dislike the Marvel brand of humor. I think previously, these jokes were more subtly incorporated in appropriate situations as opposed to their overt inclusion here straight in the middle of an intense moment. 

In regards to action, Ragnarok is fairly low on that front when compared to the other Marvel-fare. The Thor-Hulk gladiator fight itself is enormously entertaining with a wealth of great moments, Hela invades Asgard in spectacular fashion, and the brewing third act showdown on Asgard has enough surprises and stunning spectacle to leave a favorable impression on viewers, but there simply aren't any other striking sequences in Ragnarok's arsenal. The film does however manage to make up for the lacking action in the technical arena.

Thor: Ragnarok is easily one of Marvel's most colorful films thus far with an array of splendid shots, wacky wardrobes, and some especially psychedelic sets tributing the considerably influential comic artist Jack Kirby. Mark Mothersbaugh also successfully composes one of Marvel's most diverse sounding film scores to date with both sweeping, grandiose themes and pulsating, electronic music to accompany the crazy cosmic side of things. The visual effects for the most part are also quite good, but there are a few noticeable inconsistencies (mainly some poor green-screening in moments), although casual viewers are unlikely to take notice of these insignificant imperfections. 

My only other significant issue lied with the characterization of Hela. Prior to seeing the film, I believed Marvel was overcoming their villain issue in their third phase, and I had high hopes that Hela would rise to the occasion and be one of the very best. While she certainly came across as intimidating thanks to Blanchett's performance and her demonstrations of power, Hela's motivations seemed to fall in line with simply feeling entitled to the throne of Asgard. Even though I understand her reasoning, I found it to be lacking and simply didn't deem her a compelling antagonist. There just wasn't enough to her character aside from the obligatory lust for power in my opinion.

One very welcome change however, was a better balance between Thor and Loki. Previously, I felt Hemsworth was always overshadowed by Hiddleston, but I feel Waititi managed to successfully tip the scales in Thor's favor without undercutting Loki. On that note, Chris Hemsworth feels much more in his element now that he can hang loose and make full use of his comedic abilities. I wouldn't call this his best outing as Thor, but it's certainly the most fun. By his side, Tom Hiddleston continues to demonstrate Loki's reputation as the God of Mischief throwing tricks into the mix left and right. The duo's dynamic is just as charged as it has been previously, so any viewers craving more of the trademark witty bickering between the two will be more than satisfied.

Don't discount the big green guy though, because Mark Ruffalo smashes onto the screen with two-pronged portrayal of Bruce Banner and the Hulk. This is a very different Hulk than the one we're used to seeing as he speaks and throws tantrums like a two year old, which actually makes sense considering he's been Hulk for two years and therefore the Hulk's intelligence would have developed as such. Drawing ample inspiration from the Planet Hulk storyline in the comics, Waititi brings the mystery of what happened to Hulk at the end of Age of Ultron to a satisfying resolution and positions Hulk as a standout supporting character in ways previously unthought of. Ruffalo's camaraderie with Thor as both Hulk and Banner is one of the elements that really energized the movie. Otherwise, his take on Banner is rather relaxed when compared to his performances in the last two Avengers films because the script simply doesn't demand much from him in terms of acting. 

Rounding out the Revengers roster is Tessa Thompson's Valkyrie, who stands out as an impressionable newcomer and one of the coolest female Marvel heroes yet! Thompson remains a talent to watch as she adds Ragnarok to her list of standout supporting roles by granting Valkyrie an air of confidence comparable to the swagger of Han Solo. She also has great chemistry with Hemsworth, and I was relieved to see that a romance wasn't imposed on the two characters just yet, but I imagine I'd be accepting of it later down the line. 

As for the Asgardians, most are dismissed fairly quickly with scarce screentime or none at all, but Idris Elba's Heimdall is given some more prominence in the plot and Elba rises to the occasion. Honestly, the only other one worth mentioning is Anthony Hopkins, who once again imparts ancient wisdom on our characters. I will say that the dangling plot-thread regarding his character's disappearance was resolved a little too quickly, but Hopkins' status as an actor carries through and grants Odin the necessary gravitas as per usual. 

Elsewhere, director Taika Waititi voices the rocky gladiator combatant Korg. This is the character responsible for one of the most egregiously ill-timed jokes, but apart from that particular moment, Korg was a welcome source of soft-spoken comedic relief who would probably feel right at home in Waititi's other work (namely Hunt for the Wilderpeople).

All the while, Jeff Goldblum is clearly having a blast playing the Grandmaster as an especially over-exaggerated version of himself. If you love Jeff Goldblum, you'll be immensely entertained by his character because he's wacky, weird, and just about level of eccentric in between. Oh, I would also be remised if I failed to mention the wealth of easter eggs, references, cameos, and two post credit scenes lurking within Waititi's crazy cosmic comedy. Keep your eyes peeled, as per usual, and you'll be well rewarded with a Stan Lee appearance and substantial surprises.

On the antagonistic front, Cate Blanchett really elevates Hela through her performance despite the fact her character is especially underwritten. Blanchett ensures Hela is an imposing character, but the writing behind her character simply lacked the depth I was desiring. Karl Urban, on the other hand, interjects Skurge with a relatable viewpoint and surprisingly stood out alongside the superb supporting cast in a memorable stint. 

Thor: Ragnarok successfully stimulates the franchise with a bolt of electricity that should satisfy any who were displeased with his previous entires, but falls prey to many of the common criticisms associated with Marvel productions in addition to some poor pacing. Thor: Ragnarok may easily be the best Thor film yet, but it's far from thundering alongside the top tier Marvel Cinematic Universe installments in my eyes.

Film Assessment: B-

Throwback Thursday Review: 'Thor: The Dark World'

This review may wind up being published a little late due to all the World Series games I stayed up watching, my binge through Stranger Things, homework and work. This week I'm reviewing Thor: The Dark World to tie into the release of Thor: Ragnarok this weekend. The remaining November reviews I have planned are Throwback Thursday Reviews for Murder on the Orient Express (1974), Batman (1989), Ratatouille, and Pitch Perfect to tie in with Murder on the Orient Express (2017), Justice League, Coco, and Pitch Perfect 3. In the meantime, I'll do what I can to make some progress on the delayed Throwback Thursday Reviews of Inception, Stand By Me, The World's End, The Shining, the It miniseries (1990), Scott Pilgrim vs. the World, Risky Business (1983), and the Triple-R for Interstellar.

'Thor: The Dark World' Review

Thor: The Dark World finds Thor working to restore peace throughout the Nine Realms as a result of the widespread chaos enabled by destruction of the Bifrost in Thor. After successfully capturing Loki and retrieving the Tesseract in The Avengers, Thor must also grapple with the decision of succeeding Odin as king of Asgard while a cosmic event known as the Convergence aligns the Nine Realms. Meanwhile on Earth, Jane Foster accidentally encounters an ancient weapon, known as the Aether, that takes her as its host. This event then awakens an ancient race of dastardly dark elves lead by Malekith the Accursed who intend to wield the Aether to unleash havoc across the nine realms.

Thor: The Dark World saw significant shifts behind the camera as directorial duties passed down from Kenneth Branagh to frequent Game of Thrones director Alan Taylor. You'd think the pairing of a director accustomed to medieval surroundings with the world of Asgard would be match made in heaven, but only to a degree... The change-off in directors is especially evident in the production design and cinematography, because The Dark World looks drastically different from Thor. Taylor trades out the regal, otherworldly interiors of Asgard for a grittier, lived-in environment. On top of that, Taylor threw some sci-fi elements in the mix to show off the technological advancements of Asgard. It's almost as though someone meshed Star Trek and Game of Thrones with the pre-existing Asgard aesthetic.

The Dark World was a well-intentioned experiment for Marvel that shines in regards to the expansive, conceptual world-building, but fails in fleshing it all out. There are so many interesting notions sprinkled throughout Thor: The Dark World in the form of the Dark Elves and Asgard's weaponry/technology. Most action sequences are enjoyable, excluding the thoroughly average third-act showdown, and the film mostly looks terrific from start-to-finish. 

The thing about The Dark World is that the film safely walks through the opening of the gate, finds its footing in the midst of its jog, and then stumbles again on its way out the door. My analogy essentially means that the first act's formulaic, the second livens things up with one of Marvel's more emotionally-moving sequences and an electrically-charged team-up between Thor and Loki, and then the third act undercuts it all with a typical third-act battle where the fate of the universe is in peril... again... The high stakes action sequences are undoubtedly entertaining, but I'm becoming apathetic to the whole "I want to destroy the world" thing when the villain's motions remain entirely unclear...

The Dark World is stuffed to the brim with a copious amount of characters and overarching storylines, and it's Malekith that suffers from it most of all. The screenplay penned by Christopher Yost, Christopher Markus, and Stephen McFeely paints Malekith in a manner that he has no defining characteristics... There's almost nothing of substance to his character aside from the fact he's a dark elf who wants to spread... darkness... Boring!!! 

The film doesn't really take off till it around when it un-cages Loki, as the trickster proves to still be a valuable asset to the Thor franchise. Once Algrim becomes Kurse and the prison break sequence initiates, the film is instantly invigorated, and everything suddenly becomes so much more interesting.

**Spoiler Warning**

It's sounds strange to say, but the moment the film goes from good-to-great is when Frigga (Thor's mother) dies. It's so weird because her character was such an outlying figure in the franchise, yet her death feels incredibly impactful because of Hemsworth and Hiddleston's exceptional acting. Loki's reaction to learning Frigga died reveals a lot of the character's inner workings, communicating so much emotion through the slightest scene, and Loki is set on the path of a marvelous redemption arc as an enrapturing antihero.

Unfortunately, that's all undone by the reveal Loki didn't actually die. I still have such mixed feeling about Loki's "fake-out" death. The twist that Loki is impersonating Odin remains one of Marvel's best cliff-hangers, and I'm absolutely excited to learn the inner workings of it all tonight when I watch Thor: Ragnarok. However, it completely undercuts his sacrifice, so his "death scene" loses its luster on rewatches. 

**End of spoilers**

Thankfully the cast are all-in though, as Chris Hemsworth proves once again to be terrific as Thor. Hemsworth is afforded more to do in terms of demonstrating his acting range with incredibly emotional outbursts, a cool, collected composure, and spurs of comedic fish-out-of-water moments. Opposite Hemsworth, Natalie Portman's certainly charming as Jane Foster, but the script doesn't really utilize the actress or the character to their fullest potential. Their romance also just comes across as bland, but the actors have convincing chemistry at least.

It's just so sad that Hemsworth can't catch a break from Tom Hiddleston's Loki though, because he once again is overshadowed in his own movie. All the while, Hiddleston makes a case that he only gets better in the role as time goes on as he invigorates the movie once he becomes more involved. I believe this to be Hiddleston's best stint as the God of Mischief yet, and his dynamic with Hemsworth is absolutely electrifying.

The other Asgardians are offered enough screen-time to impress audiences, but none of the characters are offered some radical role in the story. Anthony Hopkins' Odin walks with the weight and wisdom of a stately ruler, while Idris Elba gets one cool moment as Heimdall and once again gazes into the cosmos with the hope he'll get more to do in the sequel. Jaimie Alexander, Ray Stevenson, Tadanobu Asano, and Zachary Levi are each fun inclusions as Lady Sif and the Warriors Three, but also are only afforded with scarce screen-time in comparison to the other ensemble members.

On the Earth-bound side of things, Stellan Skarsgård gets to go completely kooky as Erik Selvig this time around, Kat Denning's Darcy Lewis is grating, and Jonathan Howard feels like he's purely there for comedic purposes as the bumbling intern-to-the intern, Ian. Each of these characters have a few funny moments, but nothing funny enough to justify each character's inclusion. 

As I alluded to earlier, Thor: The Dark World falls prey to the plague of mediocre Marvel villains that's lately started to be turned around by a string of more interesting antagonists. Poor Christopher Eccleston does his darnedest to make extract some menace from Malekith, but he's unsuccessful in the end. Adewale Akinnuoye-Agbaje, who wound up over on the DC side of things as Killer Croc in Suicide Squad last year, leaves an impression as an intimidating henchman once he becomes Kurse, but he also isn't afforded much to work with.

Thor: The Dark World tried with all its might to be a worthy successor to Thor, and I feel it accomplished many of the goals Marvel had set for it, but the film just can't quite lift the metaphorical Mjionir with ease. The Dark World is buoyed by cool concepts, entertaining action sequences, a superb second act, and a capable cast made up of a likable lead, sturdy supporting players, and a scene-stealing God of mischief, but ultimately suffers from a slow start, an rather uninteresting central romance, an unexceptional antagonist, and a finicky finish.

Film Assessment: C+