Star Wars Speculation: 'Star Wars: The Rise Of Skywalker' Spoiler Thoughts

Now that nearly a week has passed, and I've seen Star Wars: The Rise of Skywalker a total of five times, I felt it would be an appropriate occasion to discuss the film with no restrictions. If you haven't watched it yet, you can read my non-spoiler review and venture back here at a later date. Otherwise, I hope this clarifies my feelings about the film. 

**Spoiler Warning for all Star Wars films**

'Star Wars: The Rise Of Skywalker' Spoiler Thoughts

1) Rey Palpatine
To kick things off, the biggest surprise was the reveal that Rey's descended from the Emperor himself, Sheev Palpatine. I'll be honest and say that I rolled my eyes in the theater at this moment. One of my favorite things about The Last Jedi was Rian Johnson's decision that Rey's parents were nobodies. Anyone can be the hero of their story, regardless of their ancestry. Going into The Rise of Skywalker, I'd hoped that'd remain unchanged.

At first, I felt this twist was a betrayal of one of my favorite elements of The Last Jedi. However, I soon reconciled this as J.J. Abrams' intent unraveled. He and Chris Terrio were offering a complimentary message rather than detracting from Johnson's story. Your lineage doesn't determine your destiny. You have a choice and agency in deciding your future. In hindsight, I much prefer this to the other possibilities of Rey being a clone or biologically descended from a Skywalker or Kenobi. I don't view this as a stronger alternative to Johnson's proposal, but I think it holds weight as well.

It deepens her struggle between the light and dark side as she questions her own morality. This has been an underlying thread in the trilogy, but I love the notion that her noble and compassionate heart is stronger than blood. On the other hand, I still take issue with a few things. I loathe the line, "You have his power." I not fond of the idea that Rey's strength is attributed to someone else. She's strong on account of her own discipline. It's not because she's the Emperor's granddaughter. And that line seems made to dismiss the preposterous notion of her being a "Mary Sue."

2) Bendemption
By far, my favorite thing about The Rise of Skywalker is how Ben Solo's redemption was handled. I made an entire post about this topic and how I hoped it might play out. Above all, I love how his redemption relates to the poetry of the greater saga. First of all, it occurs on the remains of the second Death Star, which is also the site of Anakin’s redemption, where he made a choice to save Luke from the Emperor. There are deeper ties than that, though...

Anakin metaphorically died and was reborn as Vader in the lava of Mustafar. He faced a baptism by fire, which left him severely burned. With this fire came death, destruction, and pain. The evil Darth Vader was created. Towards the end of the duel between Rey and Kylo Ren on the oceanic moon of Kef Bir, she lands a fatal blow to Kylo Ren. However, rather than let him suffer, she heals him with the Force. In literature, water often represents life, rebirth, and purity. At this moment, Kylo Ren literally and figuratively died and is reborn as Ben Solo. It’s a baptism for Ben that cleanses him of his sins. This franchise is deeply rooted in spirituality and myth, so I love that Abrams and Terrio tapped into that.

One slight detail I've noticed in my successive viewings is that Ben's scar fades away as Rey heals him. Therefore, she heals all the physical wounds she ever caused him since she first gave him the scar in The Force Awakens. A beautiful gesture that underscores her kind heart in addition to further signifying his decision to be Ben Solo again. 

On top of that, there’s the beautiful parallel between The Force Awakens and The Rise Of Skywalker. When Ben Solo is left stranded on the planet, he's seen contemplating his next course of action. Ben's memory of Han Solo appears to console him. Ever since that fatal moment from The Force Awakens, Ben's been haunted by what he did to his father. It shook him to his core and left him more conflicted than ever. Han may not physically be there, but this time Ben can make things right. He can't undo anything, but he can choose to be better. To be a hero. Their conversation consists almost entirely of the same dialogue from their final encounter, but with a much different context. It provides a sense of closure between the two as Ben imagines how he desperately wishes that moment had happened.

I also love that the restoration of Ben Solo required both his parents reaching out to him. Only together, their final efforts bring their son back towards the light. It's tragic but poetic that Han and Leia each die in an attempt to redeem their fallen son. Han's death lingered with Ben, and, in tandem with the sensation that his mother is gone, Ben knows what he has to do. But he doesn't know if he has the strength to do it. Of course, Carrie Fisher's death made this hit home even more, but Harrison Ford and Adam Driver act the hell out of this scene, and it's stuck with me ever since. 

4) Ben Solo Comes To The Rescue
Perhaps, the biggest crowd-pleasing moment of the entire film is when Ben rushes in to help Rey. I'll touch on their bond momentarily, but it's such a triumphant moment when Rey passes his family's saber to him through the Force. In this sequence, he displays so much of his family's heroic bravado and even channels many of his father's iconic gif-able mannerisms. It's a phenomenal entrance and great payoff to his arc. Anyways, if there's one thing I'd tweak about the film, it would be for Ben Solo to live when all is said and done. I can accept his death and appreciate that it wasn't derivative of Vader's, but I still wish he'd survived. However, I really love that he was able to do what Anakin couldn't and save the one he loved from dying by transferring his life force to Rey. An upside regarding his tragic fate.

5) "Be With Me"

Another one of my favorite moments is when Rey hears the voices of the Jedi who came before. Heard in the scene are Anakin Skywalker, Luke Skywalker, Obi-Wan Kenobi (Ewan McGregor and Alec Guinness), Yoda, Qui-Gon Jinn, Mace Windu, Ahsoka Tano, Luminara Unduli, Aayla Secura, and Adi Galla. While I'd hoped to see several Force Ghosts, I prefer this approach because Rey doesn't really know any of them aside from Luke, so their appearance would mean nothing to her. I think this is a nice compromise that doesn't detract from Rey in the scene. 

6) A Dyad In The Force

Something else I really liked about The Rise of Skywalker was the expansion of Force-lore. I liked how J.J. developed the Force bond between Rey and Kylo Ren prominently seen in The Last Jedi, as physical objects transcend their connection (something first teased by Rian when Kylo Ren wipes his brow and water droplets appear). 

Concerning their complex dynamic, I find the continued contrast between them very interesting. Rey is dressed in white and struggles with inner darkness while Kylo Ren is dressed in black and struggles with an inner light. Previously, there was the angle that Rey came from nothing while Kylo Ren is descended from a dynasty of powerful Force-users. Now, Rey is related to the ultimate evil in the galaxy, while Ben Solo's parents are the embodiment of hope and goodness (even his grandfather brought balance to the Force). While I don't think The Rise of Skywalker thematically-rich as The Last Jedi, it's become abundantly clear to me that The Rise of Skywalker is all about the power of choice. As I alluded to earlier, your destiny isn't predetermined by blood. Only you can make the decision to be good or evil. 

7) Ending Where It All Began

The ending of the film sees Rey travel to the Lars homestead on Tatooine to bury Luke and Leia's lightsabers. She's asked who she is, to which she eventually responds, "Rey... Rey Skywalker" after looking to see the Force ghosts of Luke and Leia on the horizon. Then she and BB-8 gaze at the twin sunset. There's, of course, the reoccurring motif of "twins" with the binary sunset, the twin sabers, and twin Skywalkers, which I kinda dig. Then, I also like that Rey's chosen to take up the Skywalker name. I've seen a wide array of opinions on this, but it doesn't really bother me. 

After my initial viewing, I felt very conflicted about many decisions made in The Rise of Skywalker. It's been a process for me to sort them all out, but I think I've come to terms with them all and found a greater appreciation for this ending now that all is said and done. I'm not expecting to change anyone's mind, but I hope that my thoughts have inspired others to find a greater appreciation for the things that disappointed them or the aspects they also adore! 

There's plenty more to discuss, but I thought this analysis would be an excellent place to start. I'll continue to post about The Rise of Skywalker and the Skywalker Saga in the coming months as ideas come to mind.

-May the Force be with you, always!

Let's Talk About STAR WARS: THE LAST JEDI Behind The Scenes

If you follow my social media, you may or may not have seen that I made a video essay abut Star Wars: The Last Jedi. If you haven't heard and are interested in watching it, I'll embed it right here for you:

Now that you've hopefully watched it, I'd like to share some fun factoids, sources of inspiration, and any other Behind The Scenes content that may interest you! For starters, I made this video because I love The Last Jedi and felt like I had a lot to say on it which couldn't be expressed through a blog post. Secondly, I'd been considering making the foray back into YouTube and decided this might be a good start. I made it my goal to find something about the film which I hadn't seen covered extensively online while sharing my own interpretation of the film, and I think I was successful.

I figured I'd start with a script because an unscripted ramble would probably be disastrous and go on for far too long. That took about a week, I shared it with some people via social media, took their feedback into account, and then made revisions from there. That went on for about two-three weeks before I began recording. I was honestly surprised how long I wound up recording some sections due to mispronunciations and me fumbling over my own words. 

Here's a funny example:

Hey everyone! Enjoy this out-of context minute long clip of me struggling to say “Earth’s myths.” pic.twitter.com/Ym72DdnJP5

— David Weiser (@weiser_david) October 29, 2018

On that note, an interesting tidbit is that I scrapped all my narration audio earlier this week and rerecorded the entire thing because I wasn't satisfied with the audio quality. It's honestly still not quite at the level I'd like, but I was pleased enough with it and wanted to meet the deadline of December 15th so I settled. I did this multiple times to be honest...

For those wondering, The Art of The Last Jedi was probably the best resource for me when writing the script aside from the film itself and requisite bonus features. I found a lot of information in there which helped the idea of the video take shape. If you loved The Last Jedi, I highly recommend the book as it's very insightful. It has plenty of gorgeous concept art and lots fascinating commentary from the filmmakers.

Other factoids:  

-I included many of the Star Wars trademarks such as an opening crawl and wipe transitions. The end credits are even in the style of a Star Wars film as well. In order to do that though, I knew I'd have to somehow use John Williams' main theme... Only if I used the actual audio, the video would surely get a copyright strike. I then decided to put together an a cappella arrangement as a work around by enlisting help from some vocalists at my local church. We recorded during the week of Thanksgiving break and it was the first part of the video which was finalized.

-Early on in the process I made the thumbnail and crawl. When writing the opening crawl, I looked to The Last Jedi's crawl as inspiration for the proper wording. As for the thumbnail, I made a more simplistic version, but it was recommended for me to work in a person's face because that would help the video get more views. I decided to impose Luke on top and then changed the lighting and coloring to better blend everything together. 

-If you watch Star Wars Rebels, you may have caught onto how the World Between Worlds aesthetic influenced this particular graphic. 

-The most time-consuming part of the process was probably searching for specific footage on the Internet. You would be amazed at how difficult it was to find certain clips without a watermark, and in some cases, I had to settle for standard definition because there was no HD version available. 

Otherwise, I don't have much else to share with you. I hope you enjoyed the video as well as this post, and I'll catch up on all my film reviews soon as I've seen about ten films since my last review.

'Star Wars: The Last Jedi' Review

Well, well, well... The time has finally arrived for me to share my thoughts on my most anticipated film of the year... Jumanji: Welcome to the Jungle... Wait a second, that's not right... Of course, I mean Star Wars: The Last Jedi, a film I've been eagerly awaiting since December of 2015. The two year wait has been long to say the least, but it's over with, and we now have a two year wait to eagerly anticipate the arrival of Episode IX, so without further ado, I proudly present my NON-SPOILER review of Star Wars: The Last Jedi.

'Star Wars: The Last Jedi' Review

Nominated For: Best Visual Effects, Best Sound Editing, Best Sound Mixing, and Best Original Score.

Star Wars: The Last Jedi begins where Star Wars: The Force Awakens ended. The Resistance are evacuating their base as they flee from the formidable First Order, while Rey seeks Luke Skywalker to teach her the ways of the Force, so that she may use her extraordinary power to aid the Resistance in their struggle against the First Order.

If your biggest issue with The Force Awakens was that it played things too safe, then you'll be pleased to hear that writer-director Rian Johnson defies convention at every turn. I absolutely adore Star Wars: The Force Awakens, but even I can admit that film stuck to the safe side of things. Johnson, however, takes bountiful bold risks in his middle entry to this Star Wars sequel trilogy. Johnson implements ideas and style completely foreign to the franchise, yet manages to present them with enough assuredness that you'll quickly become convinced it was all meant to be. 

The new characters, creatures, and planets are incredibly abstract and unlike almost anything else that has ever existed in the Star Wars canon. It's difficult to express exactly how unique everything is while avoiding spoilers, but it reminded me of George Lucas' own original universe-building, and I loved that. It's no wonder Lucasfilm had the confidence to sign him on to oversee an entirely new Star Wars trilogy before The Last Jedi was even released.

If I were asked to choose one line of dialogue from the film to encapsulate the experience of watching The Last Jedi, I would certainly choose Luke's warning that "This is not going to go the way you think!" Johnson continuously took me by surprise with every ballsy decision made. The story flows naturally, but Johnson brilliantly subverted my expectations time-and-time again over the film's two and a half hour runtime. 

It's worth noting that The Last Jedi echoes certain elements from The Empire Strikes Back, but Johnson never rehashes the quintessential sequel in any way, shape, or form. In fact, I'd go as far to saying Johnson distances his film a great deal from the structure of The Empire Strikes Back. The closest The Last Jedi gets would be that the First Order bounces back triumphant after a critical loss of a super-weapon similarly to the Empire after the first Death Star's destruction and the plot centers on the training of a Jedi who's only just discovered their extraordinary abilities. Other than that, I can't think of any other startling similarities... Even the Force training narrative drastically differs from what has come before. I won't go into too much story or character detail though since this is a spoiler-free review, but I can assure concerned fans that there will not be an outpouring of fans claiming The Last Jedi ripped off The Empire Strikes Back like what happened to The Force Awakens in relation to A New Hope. 

In the technical area, the departments responsible for the film's visual effects, sound editing/mixing, production design, and costuming prove to once again be remarkable, as we've come to expect from Lucasfilm. However, it's Johnson's cinematographer, Steve Yedlin, and editor, Bob Ducsay, who interject a frenetic energy and style to the action sequences that truly make The Last Jedi stand out among its franchise family members. This is just as much a Rian Johnson film as it is a Star Wars sequel, and Yedlin and Ducsay ensure that his stylized sensibilities shine through this installment. And, of course, I cannot go without applauding John Williams on another spellbinding score. Williams is a legend, so what else could you possibly expect the man to compose other than another musical masterpiece?

Among the exceptional ensemble of performers, there are many notable characters worth discussing. However, seeing as this is a non-spoiler review, there will likely be many I'm either purposely vague in describing or leave out all together. Daisy Ridley delivers another show-stopping performance front-and-center as Rey, further fleshing out her character while traversing the tricky path between the Light and Dark sides of the Force. 

Mark Hamill's long-awaited return as Luke Skywalker is just as amazing as you could have possibly imagined. Luke Skywalker has always been one of my favorite Star Wars characters, so seeing him onscreen actually speaking this time around was a real treat. Johnson's interpretation of the character at this point is quite different than the Luke fans are accustomed to seeing. Hamill himself has mentioned in interviews he didn't at first agree with the take on the character. However, the Luke we know and love is still in there... He's simply been reshaped by experiences that took place in the thirty year gap between Return Of The Jedi and The Force Awakens. What Hamill's able to accomplish through this is simply astounding. It's not only his best performance as Luke, but I believe it to be the best of his entire career. If there's any justice, he'll get an Oscar nomination at the very least. 

Oscar Isaac's Poe Dameron flies straight back into the mix with the charming, cocky attitude that won audiences over in the opening minutes of The Force Awakens and his trusty droid, BB-8. Isaac has a substantially larger role this time around as Dameron in comparison to The Force Awakens, so those who wanted more from him and BB-8 will be overly exuberant. On that front, BB-8 rolls in right alongside his suave master, and is intent to bestow audiences with as much joy as a droid can possibly provide. People made a big deal out of his First Order counterpart, BB-9E, but I'll outright let you know the First Order droid is insignificant in the grand scheme of things as I suspected. 

Now for the tough part... Carrie Fisher's tragic passing last year probably affected me more than any other recent celebrity death because she was just as integral to this franchise as Hamill and Ford. While I won't quite go as far to saying Leia has a "substantially larger" role, she certainly feels more important this time around and some scenes were very emotional for me because of what had happened (if you sit through the first portion of credits, there's an especially sweet dedication to her). Fisher once again imbues Leia with the traits that had audiences fall for a Alderaanian Princess in the first place. She's strong, insightful, and most importantly of all, she inspires hope. 

Elsewhere among the Resistance, John Boyega's back as Finn, and his pleasant personality is very much the same. Alongside him, Kelly Marie Tran enters the fray as we're introduced to Rose, and I'll say she really impressed me as what I can only assume will be the break-out performance of the film. While she won't be the character everyone talks about upon leaving the theater, she won't be easily forgotten either. Laura Dern and Benicio Del Toro are two especially accomplished actors who join the franchise in the intriguing roles of Vice Admiral Holdo and DJ respectively, but I won't say anything else about them for fear of unintentionally spoiling something.

On the Dark side of things, Adam Driver continues to extrapolate plenty from the rich character of Kylo Ren. Kylo Ren goes through a lot in this film, and Driver portrays it perfectly. I doubt he'll win over those who vehemently hate him because of what he did in the last film, but he was a magnificent malevolent presence and I think they might at least agree with that sentiment. Alongside him, Domhnall Gleeson reemerges as General Hux to reignite their bitter rivalry, and he's quick to remind audiences that he's a Nazi-esque First Order leader.

As for Snoke, I think those who wildly speculated about his identity and backstory will be extremely disappointed with him, but we do finally see the Supreme Leader in the flesh quite a bit and he's certainly powerful. Andy Serkis offers as incredible of a motion-capture performance as you'd expect from the man, but I wouldn't go as far to saying Snoke holds a candle to Caesar or Gollum among Serkis' magnificent motion-capture career.

Gwendoline Christie returns to desperately redeem Captain Phasma, and while she plays a part in the story, her character's role is minute once again. To me, this doesn't really matter because she was cool when onscreen and had enough of an authoritative presence to satisfy me. However, if you're eagerly awaiting a tremendous return for the chrome-plated captain, you may be dreadfully disappointed. Her battle with Finn is awesome though. For that matter, this film has some of the greatest action sequences in the entire saga, and that's really saying something... 

Last, but certainly not least, I've left space to briefly discuss droids and creatures. C3PO and R2D2 are both in the film, and there are some especially satisfying moments for both droids that will delight fans. The mighty Chewbacca roars his way onscreen again, and is strong and lovable as you remember. Meanwhile, the Porgs are as adorable as you'd expect them to be, and never in an obnoxiously overbearing sense, so no problems there.

If you know me at all, you'll know that I don't say this lightly... Star Wars: The Last Jedi is perhaps the first Star Wars film to truly be in contention for besting The Empire Strikes Back as my favorite Star Wars film, and the implications of that statement are huge for those of you who have know My Fifty Favorite Films... I'm sure there will be those who disagree with me, and this sentiment could certainly change over time, but that's my current stance fresh out of the theater. Regardless, the Force is indeed strong with The Last Jedi as it intrepidly ventures outside the traditional Star Wars story structure while maintaining the essential identity of Star Wars. I laughed. I cried. I was genuinely surprised. I have no idea how J.J. Abrams is going to follow up this masterpiece.

Film Assessment: A+

Star Wars Speculation: The Inferiority Complex of Kylo Ren

Welcome to my latest entry in my Star Wars Speculation Series entitled "The Inferiority Complex of Kylo Ren." I'll touch more as to what that means in a moment, but this post will essentially be about deconstructing the character of Kylo Ren. If you haven't seen The Force Awakens for whatever reason, fix that and come back after watching it, because there will be plenty of spoilers for the film from this point on.

The Inferiority Complex of Kylo Ren

I suppose I first ought to define "Inferiority Complex," so according to the Dictionary, it is defined as follows: 

Inferiority Complex- an unrealistic feeling of general inadequacy caused by actual or supposed inferiority in one sphere, sometimes marked by aggressive behavior in compensation.

Inferiority- Check

Agressive Behavior- Check

So, where is this all stemmed from?

Well, I believe Rey says it best when she uses the force to peek into Kylo Ren's mind during her interrogation to say that he's afraid he'll never be strong as Darth Vader, and that is precisely what makes Kylo Ren such a fascinating character and a compelling antagonist.

Lucasfilm and J.J. Abrams knew there was no way they could create a villain comparable to one of the greatest cinematic villains of all time. So what better angle to take than positioning the antagonist of this new trilogy as Darth Vader's grandson who idolizes his grandfather for all the wrong reasons and his deepest insecurity is that he'll never be nearly as powerful as Darth Vader? To me, the thought that went into the character of Kylo Ren is utterly brilliant.

See, I believe Kylo Ren gets a bad rap because people are still upset that he killed Han Solo. No one really gives him a chance because they hate him for killing a beloved character without thinking of why he possibly would have done so?

Well, I've been versing myself in Star Wars canon and believe I've come up with an explanation. It's simple. Han and Leia are great people, but they weren't very good parents. I believe most of the evidence lies in the book Bloodline.

The book takes place only a decade before the events of The Force Awakens, and I'd highly recommend reading it if you want to know about the political state of the galaxy in the thirty year gap between Return Of The Jedi and The Force Awakens. Anyways, it's confirmed in Bloodline that Ben Solo (Kylo Ren) was sent to train with Luke in the Jedi Academy we saw in Rey's vision. This is suggested in The Force Awakens, but never explicitly said.

So, the book focuses on Leia's relation to Vader (hence the title Bloodline). It's revealed that Han and Leia never told Ben the truth about his grandfather, but in the book Leia's heritage is discovered and revealed to the galaxy through means I won't discuss to avoid spoiling the novel. Ben and Luke were rarely ever able to be contacted because they were off training who knows where, so Leia writes Ben a letter to explain the situation to him.

However, based on what we know happened to Luke's academy, it can be assumed Ben Solo found out through other means and was then tempted to the Dark Side by Supreme Leader Snoke. That's the area that's a little less clear because there hasn't yet been any additional canon information on Snoke or Ben's turn to the Dark Side. I assume this is because Lucasfilm wants fans to learn more of those details in The Last Jedi and Episode IX.

Therefore, I believe this was the source of Kylo Ren's anger. Snoke took advantage of the Ben's resentment and shaped him into the powerful Dark Side user he needed at his side for The First Order to rise. I say this because The First Order had yet to publicly emerge during Bloodline. As of that time, they were out in the far reaches of the galaxy known as Wild Space (which can be pieced together with the Aftermath trilogy and Thrawn novel).

It seems to me that Snoke empowered Kylo Ren and made him feel accepted and useful. Kylo Ren simultaneously sought Snoke's approval and to become as strong in the Dark Side as Darth Vader, so Snoke deceived him into believing that killing his father was the only solution.

However, based on what I've read from various interviews and what I've seen in the trailers, it seems as though Kylo Ren may feel regret for killing his father. I think he was lead to believe that killing Han Solo would be a satisfying experience that would help him grow in the Dark Side, but he's realizing that wasn't the case. 

Kylo Ren's journey's not yet over though, and I suspect that we will see Kylo Ren overcome this "Inferiority Complex" and potentially redeem himself by the trilogy's end. Of course I could be completely wrong, but regardless, I'm curious and excited to see what happens to Kylo Ren in The Last Jedi and Episode IX.

-May the force be with you, always!