Showing posts with label Sebastian Stan. Show all posts
Showing posts with label Sebastian Stan. Show all posts

Saturday, December 23, 2017

'I, Tonya' Review

Nominated For: Best Actress; Margot Robbie, Best Supporting Actress; Allison Janney, and Best Film Editing.
Won: Best Supporting Actress; Allison Janney.

I, Tonya steps out on thin ice to tell the true story behind the rise and fall of Tonya Harding's competitive figure skating career. I, Tonya details the significant events of Harding's upbringing and the surrounding circumstances of the most fascinating figure skating scandal in sports history involving an attack on fellow Olympic competitor, Nancy Kerrigan. 
Craig Gillespie directs the harrowing Harding biopic in the similar self-referential fourth wall-breaking style of The Wolf Of Wall Street (which also, oddly enough, featured Margot Robbie in a break-out role). It largely thanks to Steven Rogers' sharp script, which is sure to keep audiences on their toes, but the sweet soundtrack and exemplary line delivery from the commendable cast certainly didn't hurt. Gillespie presents the events in an interesting manner though, as aged-up actors stage interviews with Harding, her abusive ex-husband, her monster mother, and moronic meathead of a body guard that are interwoven with the story so each character gets a say in "what actually happened." However, as you'll soon find out, none of these narrators are particularly reliable sources. 
Gillespie clarifies from the get-go via opening text that the film presented is a depiction of the events based on conflicting accounts, so most events aren't entirely accurate, and the aforementioned interviews only add further credence to the claim. However, as unbelievable as some of the events seem, nothing felt falsely fabricated for the purposes of drama or comedy. Gillespie and Rogers lean more on the sadistically comedic side of things, because otherwise viewers would be overwhelmed by the more melodramatic reality of everything Harding endured. 
Gillespie isn't foolish enough to joke about domestic abuse, so those moments ring true, but he was clever enough to realize this story required a dark comedic approach to avoid bogging down audiences too deeply into Harding's harsh reality. Harding was an exceptional athlete who got screwed over by circumstance, and the age-old anecdote that "life isn't fair" really resonates with Harding's story. Harding had the skill, but lacked the financial resources and happy home life, so the very idea of becoming an accomplished figure skater was a hard-fought, up-hill battle for her. 
Which is precisely why I admire I, Tonya. This isn't a traditional, tired inspirational sports drama about an athlete overcoming adversity and emerging victorious or simply satisfied with their performance. Instead, we're shown a story of an athlete who not only overcame adversity, but got dragged straight back to the bottom of it because of the idiots around her. Aside from being the first American figure skater and woman to ever land the triple axel, Tonya never comes out on top. She rarely gets the scores she deserves due to her attitude and dress, while the less-talented skaters receive higher marks on account of costuming... So when Tonya finally succeeds at something never before done, you truly feel the significance. Not simply because the feat is astounding, but because it's rewarding to see Tonya receive adequate attention for her exceptional ability. Only then, is everything undone by no fault of her own.
If there's one event in I, Tonya that I believe to have been accurately portrayed, it would certainly have to be that Tonya Harding only became an accessory to the attack on Nancy Kerrigan after the fact. Based on the internet research I did afterwards, it seems it's agreed upon that Harding wasn't as embroiled in the scandal as the media wanted people to believe, but rather knew about it and kept quiet to avoid the eventual disqualification that came her way.
On the filmmaking front, cinematographer Nicolas Karakatsanis pulls off some terrific tracking shots and Peter Nashel composes some interesting, heavy themes to contrast the high-flying soundtrack full of hits from the '80s and '90s. As for the skating, Margot Robbie did actually get in the rink quite a bit and underwent a couple months of training beforehand to ensure she could at least be out on the ice. Figure-skating body doubles and CG were implemented to great effect in order to accomplish Harding's more daring feats
Margot Robbie strides forward with not only the best performance of her career thus far, but easily one of the best performances from a lead actress all year (She should definitely be receiving her first Oscar nomination come January). Robbie's depiction of Harding showcases a rather impressive range from the young actress as she plays a broken individual shaped by the tragedy of circumstance. We witness an outpouring of emotional vulnerability from Robbie in one particular scene where Harding has to smile amidst the turmoil of her personal life in order to make the right impression out on the ice. Margot Robbie's acting career has only just begun to blossom, but I can only imagine that her portrayal of Tonya Harding will stand as a career-best performance for quite some time.
At her side, Sebastian Stan projects a two-pronged portrayal of Jeff Gillooly as both an immensely unlikable man and an innately swell guy. As Robbie says in the film, he's the kind of guy who can talk himself out of anything. There's no doubt though that Paul Walter Hauser was the perfect casting choice to play Tonya's thickheaded bodyguard, Shawn Eckhardt. Nearly every line of dialogue from Hauser is absurdly idiotic, so good luck resisting the urge to laugh anytime he opens his mouth to talk about being an expert in counter terrorism.
However, it's Allison Janney's portrayal of Tonya's no-nonsense, foulmouthed mother, LaVona Golden, that stands above the other supporting stars. In a year of film dominated by films featuring turbulent relationships between parents and their children (The Book of HenryGuardians of the Galaxy Vol. 2Lady Bird, and Three Billboards Outside Ebbing, Missouri to name a few), Janney manages to stand apart from the crowd as a mother who's only able to provide tough love and she really sells the rough, hellish exterior.
I, Tonya is equal parts hilarious and heart-wrenching. While Gillespie doesn't always nail a deft balance between humor and seriousness and the film runs a bit long, that doesn't change the fact that I, Tonya sticks the landing as a phenomenal performance piece sure to scoop up significant awards attention in the coming days. 

Film Assessment: B+

Sunday, May 8, 2016

Throwback Thursday Review: 'Captain America: The First Avenger'

I apologize as this review will end up posted a few days late as I've had a very hectic week. Thursday, I was at the Ultimate Captain America Marathon almost all day so I was unable to publish the review and normally I would have prepped the review ahead of time earlier in the week, but I was very busy all week. A majority of my free time went towards the early screening of Captain America: Civil War that I saw first Tuesday and then again at the conclusion of the Marathon. Luckily, this film was a part of the marathon though and so it's fresh on my mind as I'm writing this. I typically watch films that I review as a Throwback Thursday right before I write the review anyways but in this case I don't have to watch it separately from the marathon. Next week's Throwback Thursday Review will be of J.J. Abram's Star Trek since Star Trek Beyond will be coming later this summer and that was one of the only available spots for me to place it in my ambitious Throwback Thursday review schedule. The following week will resume my Bourne reviews as I pick up with The Bourne Ultimatum.

'Captain America: The First Avenger' Review


Captain America: The First Avenger is the first in the eventual Captain America trilogy and the final Phase One film before The Avengers which tells the origin of Steve Rogers and his journey becoming Captain America. At it's core, the film is quite charming and I love the 1940's World War Two period piece feel to the film. The director, Joe Johnston, does an incredible job enveloping the 1940's period setting. Meanwhile, there are many fictional comic book elements to be found, such as Hydra's Tesseract weapons, that manage to fit in the era coming across as somewhat believable. Speaking of which, the visual effects in this film are terrific! All of the effects for Captain America's shield look great when there wasn't a tangible shield being thrown around, and Hydra's weaponry effects looked cool. All the World War 2 action is just loads of fun to watch and extremely enjoyable, particularly the montage where the Howling Commandoes takes out several Hydra factories. One landmark for visual effects was that the creative team managed to make Chris Evans look about 200 pounds skinnier (an authentic skinny Steve). Prior to seeing the film for the first time, I knew next to nothing about Captain America and wasn't really too interested in him as I saw him as Marvel's version of Superman. However, this film really fleshed out his character and he quickly became my favorite Marvel character. The film is down to earth, just like the character himself, and director Joe Johnston does a phenomenal job showcasing Steve Roger's morale that carries through the entire film. There's a specific scene where Steve is pummeled on by a bully in an alley way after sticking up to him when the bully had some disruptive theatrical etiquette. He gets back up again every time he goes down and says the line "I can do this all day." that really just resonates with the core of Steve Rogers. I think credit is due to the two screenwriters that shaped the entire Captain America Trilogy, Stephen McFeely and Christopher Markus. The duo did a phenomenal job making Steve Rogers accessible to general audiences without making him boring but rather a complex character with simple morale structure. The performances in the film strengthen the film even more backing Chris Evans' Captain America. Chris Evans brings heart to the character of Steve Rogers and even does particularly well when CGI'd as skinny Steve. Evans manages to nail both his action scenes wielding the shield and his dramatic scenes opposite Hayley Atwell. Hayley Atwell makes for what I'd say is one of Marvel's best love interests thus far as Agent Peggy Carter. Carter's terrific as she can hold her own, kick butt and even saves Captain America a few times, no wonder she warranted her own Marvel One-Shot and television series (Here's to hoping it gets a season 3 renewal). The scene in which Captain America is forced to fly the plane into the Arctic Ocean leaving behind everything he knows is so emotionally charged and makes me tear up every time I watch it. All credit for my emotional reaction is due to the gorgeous musical score and incredible performances of Chris Evans and Hayley Atwell. Dominic Cooper is introduced as a younger version of Tony Stark's father, Howard Stark, and Howard (I won't refer to his character by last name because that could get confusing) is essentially just like his son; a suave, "genius, billionaire, playboy philanthropist" but in a 1940's setting. Sebastian Stan is quite believable as Steve's best friend, James Buchanan Barnes, or Bucky. His scenes opposite Evans are great and he serves as a great emotional linchpin for the film. You don't really see his major acting chops till Captain America: The Winter Soldier, which I'll delve into in a Triple-R review soon. Stanley Tucci and Tommy Lee Jones are both terrific authoritative supporting players that bolster the incredible supporting cast. Hugo Weaving goes full Nazi as the leader of Hydra, the infamous Johann Schmidt or the Red Skull. The Red Skull is one of the better Marvel villains in my opinion as he made for a great foil to Steve Rogers and a viable threat that was quite intimidating. One more thing I didn't quite touch on was the film's score, that I adore. Alan Silvestri manages to perfectly encapsulate a 40's feel and patriotism in his rousing musical score. In summary, I see Captain America: The First Avenger as one of Marvel's better origin films and it still remains to be one of my favorite Marvel films.

Film Assessment: B+ A-

Monday, October 12, 2015

'The Martian' Review

Nominated For: Best Picture, Best Actor; Matt Damon, Best Adapted Screenplay, Best Production Design, Best Sound Editing, Best Sound Mixing, and Best Visual Effects.

The Martian is a phenomenal film and honestly one of the best movies I have seen all year! The Martian has an incredible cast, great visuals, production design, writing, directing and a compelling story. If I were to compare The Martian to the more recent space films Gravity and Interstellar, I would say I preferred it better than both. I wasn't really a fan of Gravity but I really did enjoy Interstellar and I think one of the things I loved about The Martian was the light tone and the humor in what should be a dark, desperate situation. It was a great contrast and something that was definitely missing from Gravity and Interstellar as both of those were darker films. However despite the light tone, the film was aware of when it needed to be serious and when Mark Watney, the astronaut stranded on Mars, was in a grave situation the film went to that dark place when necessary.  I really liked watching Watney adapt to all of the challenges that can happen in space and see him work to do what can be considered by many to be impossible. the way the story was crafted kept the film interesting and I was never bored despite the somewhat long runtime. Also there are a few fun references to Lord of the Rings and one to Iron Man that caught me by surprise as I didn't really expect the references but I did enjoy them. Ridley Scott did a great job bringing all of the elements of this film came together to make it quite enjoyable. The visuals were very beautiful yet felt real and at times I forgot the film wasn't actually filmed on Mars, which goes to show how great the production design, cinematography, and visual effects came together to create a realistic immersive film experience. The cast were all incredible and worked quite well together on screen but the standout was definitely Matt Damon. It was incredible to see him act alone and really convey what it would be like to wake up stuck on a planet far away from home. Damon did a great job channeling the attitude of the everyman astronaut that the audience can root for. I was very impressed with his performance but he had an incredible supporting cast that all worked well together and never overshadowed Damon. The supporting characters never felt like they were invading the story or felt unnecessary each really adding to the compelling story about trying to bring a man home. The all star cast composed of Jessica Chastain, Kate Mara, Sebastian Stan, Jeff Daniels, Donald Glover, Sean Bean, Michael Peña, and Chiwetal Ejiofor really all added to the experience and created interesting supporting characters that felt necessary to the story. Overall, The Martian is an incredible must see film. If you feel that it looks too similar to either Gravity or Interstellar I can tell you that it is a completely different film with a different story, set of circumstances that I prefer to the latter.

Film Assessment: A-