Showing posts with label Charlie Hunnam. Show all posts
Showing posts with label Charlie Hunnam. Show all posts

Friday, March 23, 2018

Throwback Thursday Review: 'Pacific Rim'

I'm reviewing Pacific Rim to tie in with the release of its sequel, Pacific Rim: Uprising. Since March is almost over, I'm going to ahead and fill you in on the reviews you can expect to see through April, but I've made some changes to the previously outlined schedule because my finals are the same week that Avengers: Infinity War will be released. In order to get that review out as soon as possible for my readers, I'm easing my schedule by not reviewing anything else that week. Now that that's all cleared up, reviews you'll likely see through April include Throwback Thursday Reviews of Jurassic ParkOcean's Eleven (2001), and The Avengers, a Triple-R for Avengers: Age of Ultron, and new reviews of Pacific Rim: Uprising, Ready Player OneIsle of DogsA Quiet PlaceRampage, and Avengers: Infinity War

'Pacific Rim' Review


Pacific Rim thrusts audiences into a far-flung future where humanity has been besieged by monstrous sea creatures called Kaiju. As the beasts emerged from a dimensional rift in the Pacific Ocean, mankind developed massive robot fighting machines to combat the Kaiju. These mechs, dubbed Jaegers, were designed to be piloted by two humans locked together in a neural bridge. However, even with weaponized robots at their disposal, humanity's efforts to extinguish the Kaiju three has proved futile. As the Kaiju approach for their final strike, a former pilot and untrained trainee pair up to pilot an old, obsolete Jaeger in a last ditch effort to save the world from an impending apocalypse.
Pacific Rim is helmed by the recent Academy Award winning director Guillermo del Toro with a screenplay co-written by del Toro and Travis Beacham. When perusing through del Toro's filmography, you'll quickly take notice that he has a knack for spearheading creature-features so it only makes sense that he would have felt drawn to a blockbuster of this nature. It's about robots fighting sea creatures after all... Which is precisely why he was the perfect fit for the project. 
Del Toro's passion seeps through every frame thanks to the exceptional work of cinematographer Guillermo Navarro and the various visual effects artists at del Toro's disposal. They each ensure the neon-infused atmosphere envisioned by del Toro was executed to the fullest. When researching the film to see if it was nominated for any Oscars, I was shocked to learn it wasn't nominated for Best Visual Effects in 2013 because I was sure it would have been, and it certainly should have been. Beyond its impressive visuals, Pacific Rim also features an epic score composed by Ramin Djawadi and some solid performances. However, the film falls a little short in the story department. 
Despite a clear effort to establish the core characters as empathetic individuals, they weren't fully fleshed out enough for me to invest myself completely in their struggle. Sure, I want humanity to emerge triumphant... But not for anything the characters did to draw my interest. Mainly because I too am human. Most of the characters are little more than two-dimensional avatars when all is said-and-done because so many of them lack a personality. With all that being said, it's difficult to fault del Toro considering he's well aware that this is a "B" monster movie all about sheer spectacle. 
For every criticism I could conjure for Pacific Rim, I'm able to come up with at least twenty more reasons why Pacific Rim is awesome as an action-oriented blockbuster. The concept behind it all is incredibly interesting, the Kaiju and Jaeger designs are unique, and the fight sequences are incredible. It's just the characters and story that are lacking. 
Leading the rock 'em sock 'em ensemble are Charlie Hunnam and Rinko Kikuchi, who each imbue their characters with the essential attributes. Hunnam portrays Raleigh as a loose cannon while Kikuchi's Mako is a troubled trainee. Even though they fit their respective roles well, I've never quite bought their romantic connection as there's not much chemistry between the two of them. The romance then feels forced into the narrative for the sake of including one.
Elsewhere, Idris Elba's magnetic screen presence as Marshal Stacker Pentecost positions him to be a cut above most movie military officials, but his stance as the most dynamic character only aids him in being the standout scene stealer.
Meanwhile, Charlie Day and Burn Gorman play a pair of eccentric geniuses whose silly side quest seems to be a contrived scheme to obtain pertinent information. Other cast members deserving of a shout out include Ron Perlman, Max Martini, and Robert Kazinski who all manage to make a unique impact with varying screen time. 
Despite adhering to the nuts-and-bolts of a traditional "B" monster movie, Pacific Rim remains an exciting popcorn movie that will scratch your itch to watch gigantic Jaegers punch it out with enormous Kaiju. While it underwhelms on a storytelling level, the interested audience members probably weren't even asking for that to begin with. 

Film Assessment: B

Tuesday, May 9, 2017

'King Arthur: Legend of the Sword' Review

King Arthur: Legend of the Sword adapts the classic myth of King Arthur, telling Arthur's untraditional riches-to-rags-and-back-to-riches origin story. However, Legend of the Sword differs from previous Arthurian adaptations by focusing intently on the mythos behind Excalibur. 
Legend of the Sword is directed by niche film director Guy Ritchie, whom you may be familiar with for helming the two Sherlock Holmes flicks starring Robert Downey Jr. and recent The Man From U.N.C.L.E. revival. Ritchie's certainly an out-of-the box filmmaker, so pairing him with the antiquated setting of the Middle Ages seemed a peculiar choice when the film flew onto my radar. However, Ritchie manages to mash midivil realms with distinctive stylistic flourishes to great effect. Ritchie capitalizes on the frantic nature of the storytelling by peppering in fast/slo-mo and handheld chase closeups that lend themselves well to the film's vitality and pair perfectly with the film's musical score composed by Daniel Pemberton. Pemberton's score incorporates potent breathing with pitter patters of various percussive instruments and a more traditional orchestra to conjure exceptional sounds, immersing viewers in the frenzy. 
As for other technical elements, the production and costume design seemed apt for the time period but the visual effects did at times bear resemblance to what you'd expect to see in a video game. Elsewhere, the script cobbled together by Ritchie, Jody Harold, Lionel Wingram, and David Dobkin proves to be quite different from the average knight's tale due to Ritchie's taste for the unusual. Legend of the Sword trudges through its opening and drags in its finale, but the second act is incredibly enjoyable thanks to Ritchie's flair as a filmmaker. 
All the while, Ritchie's ensemble's brimming with recognizable talent. Charlie Hunnam turns in a solid performance as Arthur, bringing a charming demeanor to the unsure hero and solidifying his ability to carry the weight of a leading role in an action epic. 
On the other hand, Jude Law takes up a monotonous malevolent mantle as the villainous Vortigern. Law makes the most of his bland character but feels constrained by what little motivation the script has offer, simply another man yearning for power. Astrid Bergès-Frisbey, Djimon Hounsou, Aidan Gillen, Neil Maskell, Kingsley Ben-Adir, Bleu Landau, and Eric Bana fill out the ranks of the supporting cast with Game of Thrones' Gillen standing out as a capable and endearing archer. 
When it comes down to it, King Arthur: Legend of the Sword isn't exactly a film of legend but stands as a prime example of an epic, eccentric blockbuster, albeit a messy one. Unfortunately, these are becoming increasingly harder to come by these days so I'd say casual moviegoers would be best waiting for Legend of the Sword to roll out onto home media and Arthurian fanatics should certainly rush to the multiplex. 

Film Assessment: C+