Showing posts with label Benedict Cumberbatch. Show all posts
Showing posts with label Benedict Cumberbatch. Show all posts

Friday, November 4, 2016

'Doctor Strange' Review

Doctor Strange is perhaps Marvel Studios' strangest endeavor yet. Marvel Studios has sustained this boom of the comic book movie genre by continually exploring new avenues. Sure, they may not have had a truly memorable villain since Loki but Marvel should be commended for it's ability to take obscure comic book heroes and make them part of the mainstream consciousness. Now, it's time for the Sorcerer Supreme to enter the fold and bring magic into the Marvel Cinematic Universe. I've been quite excited for Doctor Strange since it's announcement and subsequently my anticipation has grown with each new trailer, and the special IMAX event I attended a few weeks ago that showcased fifteen minutes of footage from the film only amplified my excitement a thousandfold, so without further ado it's time to learn what I thought of the Sorcerer Supreme's first outing after two viewings.

'Doctor Strange' Review


Nominated For: Best Visual Effects.

In Doctor Strange an arrogant noteworthy neurosurgeon, Stephen Strange, finds himself in shambles after a horrific car accident destroys the nerve endings in his hands. Strange exhausts all his resources to find a cure and it's only when he's on his last leg that he hears tale of Kamar Taj, the gathering place for the masters of the mystic arts. Naturally, Strange ventures there and his life is changed forever once he's introduced to another plane of existence and means to manipulate matter through magic. He then must train to help defend the multiverse from otherworldly threats that seek to destroy not only our world, but the multiverse at large.
Doctor Strange is the fourteenth feature film to join the ever-expanding Marvel Cinematic Universe and despite being the fourteenth film in the franchise it manages to break new ground by exploring the supernatural side of the MCU.
Doctor Strange only stands to benefit from being a part of the Marvel Cinematic Universe, seeing as the groundwork for the Sorcerer Supreme's debut was lain far earlier than many would expect thanks to a Stephen Strange name-drop in Captain America: The Winter Soldier, the vibrant color palette and out of this world visuals from Guardians of the Galaxy, and the small trip into the Quantum Realm in Ant-Man. Even though Doctor Strange is a part of the MCU, it manages to feel like it's own standalone corner of the universe. Sure, they pepper in a few references pointing towards the Avengers but the references are done in such a way that you understand why these sorcerers haven't interacted with the greater Marvel universe to this point.
Scott Derrickson takes up the position of director and with his foresight manages to effectively bring Doctor Strange into the MCU. Derrickson does an excellent job translating Steve Ditko's psychedelic renderings to the big screen with next level visual effects that blew my mind, thanks to the team of visual effects artists, and the sound design and production design further the authenticity of these spells and alterations to reality. Magic in Doctor Strange is distinct from things you would find in Harry Potter or Lord of the Rings and truly unlike any cinematic magic I've seen.
The action sequences Derrickson and his crew employ are some of the most visually inventive action sequences Marvel has executed to date, always daring to go places no person would ever think of as matter and reality itself are shaped to conform to the will of the inhabitants of Kamar Taj and the other magicians of the MCU. The cinematography is also quite eye-catching as it dives straight into these kaleidoscopic foldings of reality, the combination of which easily making Doctor Strange Marvel's boldest visual palette yet. I've seen the film once in 2D and once in IMAX 3D and must say that this is a case where I feel 3D makes a significant difference in terms of viewing experience and it's the best way to experience these spellbinding visuals.
With that being said, the story arcs in the screenplay penned by Derrickson, Jon Spaihts, and C. Robert Cargill evoke a lot of Marvel's previous origin stories but I think that has more to do with the similarity of the source material. For example, how Stephen Strange starts out extremely arrogant but becomes a hero through tragedy like Tony Stark, the means to the end are different but the general arc is similar. This doesn't bother me, considering that the plot specifics are remarkably different but some viewers may find it a tad annoying.
People also may draw comparisons to Inception and Batman Begins, but the similarities are vague in that Doctor Strange takes Inception's dreamlike reality folding to a whole other level in the mirror dimension and Bruce Wayne and Stephen Strange seek different training and forms of help. The script admittedly has less humor than typical Marvel faire such as Ant-Man or Guardians of the Galaxy, but when the gags hit they landed with a splash.
The screenplay does a great job of placing focus on characters that deserve it, for example Rachel Palmer as the love interest is a secondary character and her character arc never stepped over Strange's arc, she was given the ideal amount of screen time and attention. I'd say Michael Giacchino's oriental-inspired score is worth noting for bringing a sense of heroism, eastern influence, and further adding to the trip visuals. With a A-list cast, the performances in Doctor Strange are unsurprisingly bar none.
Benedict Cumberbatch is drop dead perfect in the role of Stephen Strange. Cumberbatch played the arrogant prick to a tee and then makes a convincing changed likable hero as the film progresses and I can't wait to see his interaction with the Avengers in Avengers: Infinity War.
People can complain as much as they want about the "whitewashing" or "gender-bending" of the Ancient One but Tilda Swinton makes a grand wise Yoda-like mentor to Strange and the other sorcerers of Kamar Taj.

Chiwetel Ejiofor's Karl Mordo makes a fun companion to Strange and their difference of opinion makes for an interesting peer dynamic. Benedict Wong plays Wong to be a steel-faced librarian of Kamar Taj but despite his serious expression, when placed opposite Cumberbatch allows for some of the film's funniest moments.
Rachel McAdams doesn't have too much to do as Christine Palmer but when she's on screen she has a vital role as Strange's support system. Could she have been replaced with any doctor? Yeah, but McAdams' chemistry with Strange is great and she brings a sense of realism to the film as a ER nurse.
Mads Mikkelsen's Kaecilius is admittedly another flat Marvel villain but he at least has a sense of purpose and motive. Mikkelsen in fact elevates the role through his natural gravitas, feeling like a foreboding ominous presence when onscreen, but beyond that is another wasted villain due to lack of development.
In conclusion, I wouldn't say Doctor Strange is Marvel's best or it's worst effort to date but it definitely hinges towards the top of the list as their most ambitious and unique origin story thus far thanks to the mind blowing visual effects, technical prowess, strong and clear direction, compelling characters, superb performances, and a fun bunch of compositions from Giacchino.

Film Assessment: A-

Friday, July 22, 2016

Throwback Thursday Review: 'Star Trek Into Darkness'

Sorry for the delay but this week for my Throwback Thursday Review I'm reviewing Star Trek Into Darkness to correlate with the release of it's sequel Star Trek Beyond this weekend, a film I've seen and will review soon. Also I feel I should forewarn you that there will be spoilers in this review. This won't be the end of my Star Trek reviews this year as I might go back and review the original in celebration of Star Trek's 50th anniversary in one of the open slots for my Throwback Thursday Review schedule or I'll simply add it to a week where I think I can handle two Throwback Thursday Reviews. Next week I will be reviewing The Bourne Legacy to tie in with the release of Jason Bourne and the following week will review The Dark Knight along with the release of Suicide Squad. Till then expect reviews over all the films I just mentioned along with my thoughts on the Ultimate Edition of Batman v Superman: Dawn of Justice and how I feel it compares to the theatrical cut since my Blu-Ray copy arrived yesterday afternoon. 

'Star Trek Into Darkness' Review


Nominated For: Best Visual Effects.

Star Trek Into Darkness is probably one of the most divisive films in the franchise, simultaneously beloved by most critics as one of the best summer blockbusters of 2013 and voted the worst Star Trek film at a fan convention. Those are two very polarizing viewpoints, and since I grew up a massive Star Wars fan I wasn't bothered by many of the issues that plagued longstanding fans of Star Trek. Into Darkness builds upon the events of 2009's successful reboot Star Trek as the crew of the Enterprise must face Khan, a one man reign of terror. 
One of the most controversial aspects of Into Darkness was director J.J. Abrams' decision to keep it under wraps who Benedict Cumberbatch's villainous character was, going as far as to fabricate a smokescreen identity of John Harrison. Unfortunately fans called him out on it and found the Khan twist to be predictable. I personally don't mind his decision as I love going into Abrams' productions with no clue what's going to happen and I can't fault a director for that considering everything else he brings to the table.
Abrams with the assistance of his fantastic screenwriters Roberto Orci, Alex Kurtzman, and Damon Lindelof cleverly plays off the alterations previously made to Star Trek continuity in Star Trek by establishing direct links of the proceeding events to the destruction of the planet Vulcan causing the Enterprise to run into Khan much earlier than William Shatner and Leonord Nimoy did. Orci and Kurtzman once again manage to craft a fast-paced adventurous blockbuster and great dialogue for the crew of the Enterprise provided their familiarity with the characters writing the screenplay for Star Trek, while Lindelof is new to the table, his addition to the Star Trek Into Darkness writers room didn't shake things up too much.
Abrams ensures the pacing is quick and the visuals are sleek with ease and of course there are plenty of lens-flares to spot along the way. The visual effects are wondrous as the Enterprise looks gorgeous in warp speed and gallivanting about in space with slick costuming and makeup prosthetics, flashy production design, and all-encompassing sound design to accompany them. Into Darkness' score composed by Michael Giancchio evokes classic Trek leaving even the most casual viewer with a desire to venture where no one has gone before.
The action sequences are undeniably fun, but manage to feel hollow as some of the action is largely flashy effects and loud noise rather than proper service to the story. My main issues with Into Darkness are the lack of risks it takes with abundant small plot holes and an ending that's remarkably similar to that of Star Trek II: The Wrath of Khan, but all things considered those are small nitpicks that don't detract too heavily from my opinion of the film.
The brilliant cast that make up the crew of the USS Enterprise are back and once again bring heart to the film with their great chemistry onscreen together and bring along some newcomers that only add to the film's grandeur. Chris Pine oozes charisma now that he's even more comfortable in the Captain's chair as Captain James Tiberius Kirk and Zachary Quinto once again captures the proper balance of logic and emotion stepping into the shoes of the Vulcan First Officer Spock. The two share a terrific chemistry onscreen likened to peanut butter and jelly and the exploration of their continuing friendship is one of Into Darkness' high marks. Quinto is afforded one scene where he gets to let loose with an emotional outburst as he fights Khan in the pivotal third act finale that's nothing short of incredible.
Zoe Saldana is provided with much more material this time around as Uhura and steps up to the plate proving to be capable supporting female action heroine. Karl Urban is terrific as Bones, although I'd like to see him onscreen a bit more he does make for great supporting comedic relief. John Cho once again doesn't have much to do as Sulu but is perfectly serviceable in the capacity used. Simon Pegg is infectiously delightful to watch as Scotty, bringing tons of levity to the series situations and Anton Yelchin's Russian accent hits the mark for a comedic Chekov.
Alice Eve's Carol is along for the ride purely to be a sexualized supporting character with little substance, so little that her character is absent from Star Trek Beyond. Bruce Greenwood's Pike gets his fair share of screen time with some emotionally grounded scenes vital to the plot and Peter Waller's Marcus makes for an interesting Star Fleet officer with his own motivation worth questioning. Leonard Nimoy even gets a chance to once again play a role in the proceeding events as an older Spock although this time it's more along the lines of a cameo.
Benedict Cumberbatch's British baritone lends itself naturally to the sophisticated and elusive Khan. Cumberbatch proves once again that he's an outstanding actor as Khan proves to be an enigma with both intellectual and physical strength determined to stop those in his way with any means necessary. Cumberbatch's Khan is another dividing point with fans due to the whitewashing of the role but I think he plays the villain with such gravitas it's difficult not to admire his performance, and he makes for much better villain than Eric Bana's Nero.
Overall, I found myself still enjoying the heck out of Star Trek Into Darkness regardless of it's flaws in it's story and think that it's not deserving of loyal fanboy hatred but rather find it to be an entertaining science fiction adventure. Thanks to stunning visuals, impressive production design, flashy action, a rousing score, and a talented cast, Star Trek Into Darkness is a worthy followup to Star Trek.

Film Assessment: B-

Friday, February 6, 2015

'The Imitation Game' Review

Nominated for: Best Picture, Best Director; Morten Tyldum, Best Actor; Benedict Cumberbatch, Best Supporting Actress; Keara Knightly, Best Adapted Screenplay, Best Film Editing, Best Original Score, and Best Production Design.
Won: Best Adapted Screenplay.

I have now watched 5 of the 8 Best Picture Nominees and have really enjoyed each of them so far. The plot and story elements present in this film are great and quite interesting. I really enjoyed scenes regarding breaking the Enigma Code and what methods the team used to achieve success.  In particular Benedict Cumberbatch and Keara Knightly gave spectacular performances. Overall I really enjoyed this film and highly recommend you watch it!