Showing posts with label Mission: Impossible - Fallout. Show all posts
Showing posts with label Mission: Impossible - Fallout. Show all posts

Monday, December 31, 2018

Top 10 Films of 2018

Just like that, another year has come and gone. It's become an annual tradition for me to share my ten favorite films of the year and I always enjoy reflecting on what I've seen. If you read most of my reviews, some of these selections may not be that surprising, but I think there may be a couple placements or choices which people won't see coming. This year I've seen 81 new releases in total, which is 10 more than last year. There are still quite a few reviews I need to write, but those will come in due time. Like always, I've noted some honorable mentions and will write a brief blurb about each film to justify its place on my list. I have uploaded reviews for them all, so if you're interested and haven't done so already, you can read my more in-depth thoughts by clicking the blue title once you're done perusing my list. 

Top 10 Films of 2018


Honorable Mentions (Alphabetical order): Annihilation, Black Panther, BlacKkKlansman, If Beale Street Could Talk, Paddington 2, Roma, Thoroughbreds, Vice, Won't You Be My Neighbor?, and You Were Never Really Here.

10. Beautiful Boy

Beautiful Boy turned out to be one of the most emotional viewing experiences I've ever had in the theater. Some may call it emotionally manipulative, but I felt every emotional beat was well-earned on account of a layered story and excellent, career-best performances from Timothée Chalamet and Steve Carrell. The narrative structure is occasionally a little messy, but that only adds to the honest, down-to-earth depiction of addiction in my eyes. As a poignant, tearjerking cautionary tale about the perils of addiction, it more than serves its purpose. Also, have tissues on hand.

9. A Quiet Place

A Quiet Place snuck up on me earlier this year and turned out to be one of the most engaging and creative mainstream horror films I've seen in quite some time. I'm honestly not huge on the horror genre as a whole, but A Quiet Place quickly invested me in its story, concept, and characters with an excellent opening. On account of its terrific technical precision and exceptional core ensemble, Krasinski managed to make a horror film with heart as well as solid scares.

8. Mary Poppins Returns

To put it plainly, Mary Poppins Returns is an utter delight. A simply splendid sequel that is, dare I say it, even better than the original... Thanks to a cheery, whimsical disposition, charming musical numbers, and a towering lead performance from Emily Blunt, it wound up being the spoonful of sugar I needed this holiday season.

As the cinematic culmination of nineteen films and ten years of storytelling, Avengers: Infinity War is a unique and unprecedented achievement. A blockbuster of this scale simply has never been done. In terms of sheer spectacle, it is astounding, and I'm still impressed the Russo Bros managed to balance that immense ensemble as well as they did. However, my opinion of it has somewhat diminished since my first viewing as I came to the realization the grand spectacle often overshadowed any character growth and Avengers: Endgame could make or break it in the long run.

6. Widows

While being a riveting heist film, Widows is a superb character drama which features tons of well-woven social commentary and some of the best filmmaking I've seen all year. McQueen's got plenty to say and a lot of ground to cover but somehow gets away executing a complex smash-and-grab without sacrificing quality or entertainment value.

Devious plotting, elaborate machinations, and a trio of renowned female performers operating at peak capacity made The Favourite one of my favorites. It's sharp, twisted, and delightfully wicked. What more could you request?

4. Eighth Grade

Rarely do modern coming-of-age films offer an authentic representation of teenage life today. Fortunately, Bo Burnham gets it right, and Elsie Fisher provides a lead performance which is wonderfully sincere and among the best acting I've seen all year... and she's only fifteen! Eighth Grade is honest, hilarious, heartfelt, and relatable above all. Eighth Grade reminds audiences of awkward, cringe-worthy mess that is their teenage years, and within minutes, it's like we're reliving the moments we often over-exaggerate as the worst of our brief, privileged existence.

The hyper-stylized, frenetic animation style seen in Spider-Man: Into The Spider-Verse is truly unlike anything else I've ever seen. Not only is the film breathtakingly beautiful, but it understands the idea of Spider-Man better than any of the wall-crawler's live-action outings. Anyone can wear the mask. Anyone can be Spider-Man, which is perhaps why the character's still a staple of pop-culture. It swung towards the top of my list very late in the year, but instantly became a favorite of mine in terms of both animation and cinematic comic-book adaptations! Most importantly, Spider-Man: Into The Spider-Verse is a love letter to Spidey and a fitting tribute to the legacy of Stan Lee and Steve Ditko.


It's telling when the sixth entry in a long-running spy series manages to up the ante and stand apart as not only the best franchise installment yet but also one of the greatest action films ever made. Mission: Impossible - Fallout is exhilarating from start-to-finish and a pulse-pounding exercise in action. Every major stunt and set piece in Fallout ranks among the best I've seen all year and the genre as a whole. Cruise's willingness to perform the stunts himself only further enhances the insanity, as it lends a greater deal of authenticity to the proceedings. In Fallout, the action, plot, and character all work in tandem to deliver the edge of your seat suspense audiences have come to expect from the series and McQuarrie even dares to question the effectiveness of the franchise's central hero.

1. First Man

In First Man, Damien Chazelle perfectly balances the intimate and grandiose nature of space. There's an imminent sense of danger as you watch astronauts enter a bucket of bolts intent on blasting off into space. In regards to the moon landing, Chazelle positioned one of the most infamous American achievements as an introspective and emotional affair. First Man takes one small step for cinematic space-exploration, and one giant leap for cementing Chazelle's position as one of the most exciting filmmakers working today!

Saturday, July 28, 2018

'Mission: Impossible - Fallout' Review

Mission: Impossible - Fallout accompanies Ethan Hunt and the IMF team as they join forces with CIA assassin August Walker to prevent a disaster of epic proportions. With the fate of the world at stake, the group find themselves in the ultimate race against time as their virtue is tested like never before after a mission gone wrong.
Mission: Impossible - Fallout is the sixth installment in the long-running spy series and also the first film in the franchise to carry the same director. Previously, each addition to the franchise was spearheaded by a different director and they were loosely connected to one another. However, Christopher McQuarrie broke the mold by returning to write and direct Fallout as the first direct sequel in the series after his excellent work on Rogue Nation. Since Tom Cruise is a prominent producer in addition to being the series' lead actor, I believe his close affiliation with Cruise may have helped him stick around, but it's equally likely he was the first director to have been offered and accepted a consecutive gig.
By tightly securing Fallout to the five prior films, McQuarrie is able to explore an interesting idea that Hunt's noblest intentions could be coupled with unforeseen consequences. The choices from Ethan's past resurface to haunt him, so the question is posed whether Hunt should compromise his morality for the sake of completing a mission more efficiently. It's a fascinating way to deconstruct the tortured psychology of one of America's greatest action heroes because Hunt is pushed to his limits here. Compounding with whatever his current dilemma may be, a new problem arises and the situation suddenly intensifies. This builds and builds over two and a half hours, amounting to one of the most intense, unrelenting experiences I've ever had in a cinema. The stakes escalate and escalate as the situation becomes more and more dire. Believe it or not, but this is the first time that the mission's actually felt impossible.


As a brief aside, here's a tweet of mine from Thursday night where I described my immediate reaction to the film as best I could. Given my initial impression and the immense hype surrounding this spy sequel, I knew I needed to see the film a second time to confirm my suspicions before I said anything that could be perceived as being too reactionary.
With that being said, there's absolutely no doubt in my mind that Mission: Impossible - Fallout is one of the greatest action films I've ever seen in the cinema. Believe the hype folks because this is an exhilarating, non-stop adrenaline rush that truly warrants comparisons to The Dark Knight and Mad Max: Fury Road. It's that good...
McQuarrie and his crew quite literally take the franchise to astonishing new heights as Cruise became the first actor to perform a HALO Jump from 25,000 feet in the air. The gear he's wearing apparently didn't even exist prior to filming because this feat is so unprecedented and requires extensive training... But Cruise is an absolute mad man, and I respect the hell out of his commitment to performing these insane stunts for our amusement. 
Aside from pulling off that baffling stunt, you're probably curious if the action in one of the most consistently entertaining action franchises measured up to everything that had come before. Well, the action, plot, and character all work in tandem to deliver the edge of your seat suspense audiences have come to expect from the series. The technical precision across the board is phenomenal to such a degree that I believe it is well within reason that Fallout could rightfully become the first Mission: Impossible film to be recognized by the Academy in some capacity, whether it simply be an honorary stunt award or a slew of technical nominations. The editing is seamless, Rob Hardy's cinematography is stunning, full of grandiose, sweeping shots that are a wonder to behold, and surely will be talked about for years to come, and Lorne Balfe's swelling score is an unrelenting accompaniment that intensifies the proceedings tenfold.
The action itself includes a bare-knuckled hand-to-hand confrontation in a bathroom, numerous chases through Paris by foot, motorcycle, and car, and an invigorating helicopter sequence. Every sequence packs a visceral punch as not only some of the best work in the franchise, but some of the best-executed action I've ever witnessed. Oh, and by the way, that image above showcases Cruise jumping between buildings and he broke his ankle mere moments later. But it doesn't stop there... Cruise broke his ankle, got up, and kept going. That's the take they used in the finished film.
Like the last three installments, Fallout is an ensemble effort and everyone brings their A-game once more. Pushing the age of 56, Cruise never ceases to amaze, and I believe he's cemented his status as an all-time great movie star unlike any other. Reprising their respective roles from Rogue Nation are Rebecca Ferguson, Simon Pegg, Ving Rhames, Alec Baldwin, and Sean Harris who each do excellent work. Ferguson is particularly kick-ass in her moments of action, Pegg is much more involved in the actual mission this time around, Rhames fulfills his duties as a loyal friend and crucial part of the team, Baldwin earns his appointment as the newly minted IMF director, and Harris relishes in Solomon Lane's soft-spoken villainy. Lastly, Michelle Monaghan makes her return as Julia and that brings an unexpectedly strong emotional component to the proceedings. Jeremy Renner was noticeably absent, but that was on account of prior obligations to filming Avengers: Endgame. However, that did enable some satisfying substitutions...
Additions to the cast include Henry Cavill, Angela Bassett, and Vanessa Kirby who are all quite impressionable. Bassett is a fitting head of CIA and Kirby makes for an intriguing femme fatale as the enigmatic White Widow. It is Cavill's August Walker who stole the show in my book though. It should come as no surprise that the Man of Steel would project a formidable physical presence, but Cavill exhibits the acting chops to back it up. It was also very fascinating to observe the layers in Cavill's performance on a second viewing. I'd love to see him bring that intensity to Superman. 
One does not simply discuss Cavill's role without touching on the infamous Mustachegate though... For those who aren't aware, Cruise's on-set injury delayed Fallout's production while Justice League underwent reshoots. Warner Bros. either could shave the stache and foot the bill to digitally add it in Fallout or digitally remove it themselves... Paramount refused to allow Cavill to shave the stache, so Warner Bros. was forced into the latter option. That then resulted in the most unnatural human mouth ever seen which has become a huge talking point among fans. I'm not entirely sure that the mustache was necessary to the extent of derailing Justice League, but it looked really cool so who could possibly complain? Aside from that, enjoy this gif of Henry Cavill reloading his fists because it's awesome!
In actuality, Mission: Impossible - Fallout is a fitting title because I believe it’s impossible for me to have a falling out with this franchise considering each successive entry has been progressively better than the last. Mission: Impossible - Fallout is not only the best film in the franchise or the best I've seen this summer... I legitimately believe it to be the best action film I've ever seen and I have no idea how M:I 7 could conceivably top this, but I'd love to see them try at the very least. Your mission, should you choose to accept it, is to stop whatever you're currently doing and see Mission: Impossible - Fallout on the biggest screen near you as soon as you possibly can!

Film Assessment: A+