Showing posts with label Michael Rooker. Show all posts
Showing posts with label Michael Rooker. Show all posts

Thursday, May 4, 2017

'Guardians of the Galaxy Vol. 2' Review

Nominated For: Best Visual Effects.

Guardians of the Galaxy Vol. 2 commences shortly after the events of Guardians of the Galaxy as our heroes are tasked by an alien race of supremacists, the Sovereign, to guard some big ticket batteries from a ferocious beast known as the Abilisk. The Guardians defeat the monster, receive their bounty, and are on their way. At least till they discover Rocket snatched a few of the batteries and the Sovereign are hot in pursuit. After a series of events I won't go into, the group stumble across Peter's father and Quill begins to learn the truth behind his ancestry. I won't delve into any further plot details because that sums up the first fifteen/twenty minutes of the movie, which is almost everything that's been showcased in the marketing material.
James Gunn returns to write and direct Vol. 2, taking the unconventional sequel approach by providing meaningful character exploration as opposed to substantial spectacle. If the first was about bringing the team together, this installment's more about fleshing out the dysfunctional family. The characters you've come to adore are back and the team dynamic is as enjoyable as ever, but I found it interesting how Gunn paired characters we hadn't really seen together and utilized those respective dynamics to bring out their subsequent backstories. 
One example being the role reversal between Rocket and Groot. Where Groot was Rocket's muscle in the first, this time it's the opposite as Rocket (and the team to some extent) really have to watch out for Baby Groot seeing as he's just a little sapling. While this may not be one of the new pairings, it's something familiar that feels fresh thanks to the spin Gunn employs. Of course Gunn has more hilarious zingers up his sleeve and just about every scene featuring Baby Groot had me laughing my head off, one in particular left me chuckling for a good minute or two. I was most impressed that Gunn and his crew didn't exploit Baby Groot to be the sole provider of the film's levity or charm like I was expecting. 
Every character has their time to shine with a few stepping up to the plate as standouts I didn't see coming. The story of Vol. 2 navigates plenty of surprise twists and turns and creeps up with some intensely emotional moments that certainly had me welling up unexpectedly. Perhaps one of my favorite aspects of Vol. 2 though was that the story being told was never compromised to set-up another Marvel entry down the line. If you're hoping for some Avengers: Infinity War groundwork to be laid, you're going to be woefully disappointed. However, the traditional Stan Lee cameo arises with some insane implications for those of you who read Marvel comics and there are five post-credits scenes so you know the drill, stick around till the screen fades to black one last time. 
The cinematography captures the neon-florescent aesthetic to paint a breathtaking backdrop composed of hauntingly marvelous hair and makeup, professional production design, and vibrant visual effects. The tracks wound in the Awesome Mix Vol. 2 cassette tape and Tyler Bates' sensational score play just as well as the tunes featured in Vol. 1 and Bates'  prior compositions. There's a fair share of toe tappers on the mix tape like "Mr. Blue Sky," "Fox on the Run," and "The Chain" and Bates' "Dad" is epic and emotional, making the ideal accompaniment to the film's third act showdown. 
The enlightened ensemble returns and successfully elevate everything you came to love about their prior portrayals. Chris Pratt brings the star power to Peter Quill, projecting the guise of a confident criminal with an underlying tenderness. Kurt Russell... Well... He does his Kurt Russell thing... I don't want to really talk about him to stray from spoiling anything about his character but Russell's Ego the Living Planet is as charming as you'd expect Kurt Russell playing a humanized planet could possibly be so you see where Peter gets it from. Zoe Saldana and Karen Gillan have far more to do this time around with the sisterhood between Gamora and Nebula further explored. Both actresses prove up to the task of kicking butt, taking names, and occasionally wearing their hearts on their sleeves. 
Dave Bautista's Drax lets out his hearty chuckle and some self serious one-liners that bode well when juxtaposed with the naive nature of Pom Klementieff's Mantis. Their interaction is incredibly amusing because neither characters truly grasp social norms, leading to the film's funniest moments. 
As for the rest of the crew, Bradley Cooper imparts all the sardonic sarcasm to Rocket you can possibly imagine and Vin Diesel projects a soft-spoken sapling as Baby Groot that's absolutely adorable. Gunn's brother Sean Gunn not only lent himself to Rocket Raccoon's motion capture portrayal but returns as the Ravenger Kraglin and served as an amusing source of comedic relief in a larger capacity. It was also awesome to see Sylvester Stallone pop up in a minuscule supporting capacity that shows promise for future outings. Elizabeth Debicki's Ayesha and her Sovereign race were more a nuisance than actual threat as supposed antagonists and Chris Sullivan's Taserface is as big a joke as you'd imagine someone with that name to be. 
The surprise standout though was undoubtedly Michael Rooker as Yondu. Rooker's performance puts forth more of Yondu's heart and explains the gruff, hardened exterior with such a delicate balance between the two that plays out beautifully in the film's conclusion.
I'm sure it will be a source of contention to decide whether Vol. 2 reached the heights of its predecessor but I personally enjoyed it more. Guardians of the Galaxy Vol. 2 is a blast! Vol. 2 amplifies everything you loved about the first; the characters, the sights, the sounds, and most importantly, the story. Vol. 2 rocks and rolls its way into your heart with the cheeky charm and ostentatious enjoyment of the original, deepening your love and appreciation for these characters along the way.

Film Assessment: A-

Wednesday, May 3, 2017

Recollection Reflection Review: 'Guardians of the Galaxy'

Guardians of the Galaxy Vol. 2 is nearly upon us and while I won't have a review for that installment up till later this week, I figured this would be an appropriate time to revisit the original. Keep in mind this review will be include some spoilers though considering it's been nearly three years since the film's release. The review's a bit long but I promise it's a significant improvement over my last attempt.

'Guardians of the Galaxy' Review


Nominated for: Best Visual Effects and Best Makeup and Hairstyling.

Recollection- Guardians of the Galaxy Review

Reflection- I remember around Guardians of the Galaxy's initial release when it was predicted to be Marvel's first flop yet caught the world unawares, bursting onto the scene and becoming an instant pop culture phenomenon! I love the first Guardians but I'm admittedly not over-the-moon on it as many other people I know seeing as it's not quite my favorite MCU film (read more about this at my most recent Marvel Cinematic Universe Ranking). That's one of the reasons I thought it would be fun to revisit this one on-top of the fact I reviewed it back in 2014 when I was relatively new to blogging. Really, the most interesting part of these Triple-R Reviews, as I like to call them, is that I can show how much I've improved and grown as a writer and critic. I plan on introducing other new review formats soon that will be more akin to short essays on behalf of a detested film and against ones I consider over-rated.

Review- Guardians of the Galaxy opens in the year 1988 as a young Peter Quill must watch his terminally-ill mother pass away and is immediately abducted by a crew of space pirates known as Ravengers. Fast-forward to 2014, Quill now goes by the monicker Star-Lord and has stolen an ancient intergalactic artifact resembling an orb for an intermediary broker. Quill soon discovers about half the galaxy wants the orb, including the militant Kree fanatic Ronan the Accuser, and winds up working alongside a rag-tag group of misfits to save the galaxy when the orb ends up in the wrong hands.
Guardians of the Galaxy was something no-one expected to succeed, making it all the more exciting when it was launched to interstellar heights at the box office for a property practically no-one was familiar with. For starters, the team included a talking raccoon and a tree whose vocabulary consists of the three words "I am Groot." Writer-director James Gunn had to sell audiences on these obscure characters if he was going to pull this off, and fortunately he did. Gunn understands that these characters are weird and kinda messed up but finds touches of humanity within them all so that these characters can not only be likable but relatable. Gunn succeeded in spades on delivering Marvel's most outlandish property yet by trusting in the unconventional nature of the cosmic characters.
The script penned by Gunn and co-writer Nicole Perlman focused first and foremost on bringing out character and succeeded in making the most of a roguish outlaw, an assassin, a vengeful maniac, a smart-aleck raccoon, and a walking, talking tree. Every character has his or her own arc that plays out beautifully, the only flaw lies in Ronan the Accuser coming across as yet another forgettable baddie. However, I must credit the duo for crafting heaps and heaps of quirky quips and hysterical one-liners, resulting in Marvel's consistently funniest entry to date. I've seen Guardians of the Galaxy countless times yet still find myself chuckling at just about every single joke the Guardians have at their disposal.
Another element that makes Guardians of the Galaxy so great is that Gunn and Perlman never lost sight of an emotional through-line when striving for a light-hearted affair, I'll even admit to welling up at the film's devastating outset and towards the stirring conclusion. Not only are the characters and story in the far reaches of Marvel's cosmic space interesting but the sights and sounds of Guardians of the Galaxy are simply out of this world! The visual effects remain among Marvel's best-to-date with stimulating space battles and motion capture that's probably the closest you can get to bringing a talking raccoon and amiable arbor to life. The unique production design meshes with the visual effects seamlessly to make numerous wacky worlds plausible and the hair and makeup team responsible for the looks of Drax the Destroyer, Gamora, Yondu, Nebula, and Ronan the Accuser do an exceptional job.
That's not even to mention the stunning cinematography capturing all the cosmic craziness, the aesthetic is astounding from start-to-finish, and I absolutely adore the full aspect ratio that enlarges during some of the film's key action sequences. On that note, the action to be found in Guardians is a stirring spectacle that's only enhanced by the film's rocking Awesome Mix Vol. 1 soundtrack and Tyler Bate's incredible score. The Awesome Mix Vol. 1 has plenty of retro-hits that will get your mouth moving and your toes tapping like "Hooked On A Feeling," "Spirit in the Sky," "Escape (The Pina Colada Song)," "Cherry Bomb," and "Ain't No Mountain High Enough" to name a couple. Don't count out Tyler Bates' sensational score though, because none of his compositions miss a beat!
While all the aforementioned components are crucial to the film's success, none of it would have worked if it weren't for the correct cast. Chris Pratt lends the ideal mix of charisma and space swagger to Peter Quill that makes his Star Lord alias click perfectly with his personality. Pratt's leap to stardom basically began here and he exhibits all the qualities of a memorable movie star audiences have come to appreciate. Pratt's able to serve as the unlikely hero, but simultaneously exhibited roguish charm that made it seem like it couldn't have happened any other way. Zoe Saldana brought the right mix of sentiment and grit to Gamora that makes the claim she's a killer with a conscience seem all the more real. I appreciate that her character doesn't fall into the camps of being subservient sex appeal or the conventional love interest but rather something in-between that stands apart from the archetypal heroine. My one gripe about Gamora is that her character doesn't come across to be nearly as complex as the source material, but I guess that could change in Vol. 2.
Dave Bautista hits it out of the park in his feature film acting debut, I truly believe he will stand alongside Dwayne "The Rock" Johnson as one of the best wrestler-turned-actors in Hollywood. Bautista's got the bulk that you'd imagine would accompany someone going by the designation Drax the Destroyer and gets so much mileage out of being the moronic muscle. Bautista's blunt, straightforward line delivery matches Drax to a tee and allows some of the film's funniest dialogue exchanges to occur.
Bradley Cooper's snarky demeanor matches the wisecracking Rocket Raccoon eloquently, while Vin Diesel lends his oaky voice to Groot. If it weren't for these two, the entire enterprise would have fallen apart, but luckily Marvel's casting department haven't floundered yet. On that note, I've gotta credit Sean Gunn and Krystian Godlewski for providing the motion capture element to the portrayal of these two character.
Among the supporting ensemble, Micheal Rooker injects a sleazy, roughness to Ravenger captain Yondu Udonta, Benicio Del Toro lets loose as the eccentric Collector, Laura Haddock will bring tears to your eyes as Meredith Quill, and John C. Reilly, Peter Serafinowicz, and Glenn Close play straight laced space cops known as the Nova Core. Lee Pace's Ronan the Accuser makes for another vaguely-motivated Marvel menace with Djimon Hounsou and Karen Gillan by his side as cyborg Korath and the inscrutably freaky Nebula.
Oh, and Josh Brolin sits in Thanos' throne for a bit as the Mad Titan. Maybe we'll see him get up from that chair in a little indie called Avengers: Infinity War coming next May but only time will tell.
To sum it all up, none of the individual elements of Guardians of the Galaxy could work independently and they actually rely on one-another to collaborate as one grand, booming superhero space opera that's forever fervent fun. Guardians of the Galaxy may not be the best Marvel Studios release in my eyes, but for the time being stands as their most amusing and entertaining effort yet!

Film Assessment: A-

Tuesday, March 21, 2017

'The Belko Experiment' Review

In The Belko Experiment, Belko Industries has established an international foothold and encourages many of their American employees to transfer to their foreign offices. One day, the office in Bogotá, Colombia becomes heavily fortified as the employees are locked inside and informed over the intercom that two workers must die in the next thirty minutes or grave consequences will follow.
The Belko Experiment is comparable to a sick mash-up of Battle Royale and Office Space or The Hunger Games within The Office's Dunder Mifflin establishment but unfortunately lacks the satirical wit and intrigue the aforementioned inspiration brought to the table. The Belko Experiment is directed by Greg McLean and written by Guardians of the Galaxy writer-director James Gunn but neither truly deliver in execution. McLean's direction is dull and uninspired while Gunn's screenplay doesn't offer enough character expansion or take them in remotely interesting directions. Ultimately, what drew me to check out The Belko Experiment was Gunn's involvement and the idea behind it all. 
The underlying concept has lots of potential but never measured up to be as twisted as I was expecting. Gunn's screenplay reasons through the situation as any normal person would by ensuring the employees consider all their alternatives before taking any course of action but the bloodbath doesn't ensue quite as I hoped. It should go without saying that The Belko Experiment is bloody bonkers but the "twists" are predictable and even the most grotesque of character demises felt conventional so the clichés undercut the film's cruel nature. 
For one, the script doesn't offer enough detail on the corresponding characters for the viewer to form any attachment before the staff are butchered. When someone dies, you won't care in the slightest. Secondly, the characters don't really change over the course of the story. Everyone stands firmly in place whether they be conflicted, set for slaughter, intent on hiding out, or prone on peace. The characters don't question the immorality of their actions if they decide to kill and persuasions for peace hardly scrape the surface of some interesting idealogical conflict. 
Gunn had an opportunity to lend some insightful social commentary had he gone the more satirically morbid route but instead everything's fairly straightforward. The ensemble amassed largely portray their characters as the thinly-sketched workspace stereotypes they're written out to be. John Gallagher Jr. portrays the everyman Mike, Adria Arjona's the other side of Mike's workplace romance as Leandra, Tony Goldwyn's the controlling boss, John C. McGinley's a creep, Melonie Diaz is the new girl, Sean Gunn is the conspiracy theorist, and Michael Rooker and David Dastmalchian are the mechanically inclined workmen. I could keep going but none of these characters serve a greater purpose than being pawns in a perverse turn of events and the actors portraying them don't lend anything beyond that. 
When it comes down to it, I can't quite recommend The Belko Experiment unless a sickening social experiment where violence occurs for the sake of violence sounds fun to you. The Belko Experiment is unabashedly brutal, so much so that it mutilated a fascinatingly disturbing premise.

Film Assessment: C-