Showing posts with label Michael Gambon. Show all posts
Showing posts with label Michael Gambon. Show all posts

Friday, March 2, 2018

Throwback Thursday Review: 'Fantastic Mr. Fox'

I haven't published Throwback Thursday Reviews these past two weeks for varying reasons, but I have a few exciting updates to share regarding my blog and I'm now back on track to review Fantastic Mr. Fox ahead of Wes Anderson's new stop motion film coming later this month, Isle of Dogs. In regards to late reviews, I watched Blade the other day so that particular Throwback Thursday Review will be coming as soon as I finish writing it. However, I've decided to remove all other delayed reviews from my schedule to free up space. I promise I'll get them eventually at a more appropriate time when they're more relevant (ie. review It (1990) when the It sequel comes out, etc.). If you want to know what you should expect to see from me this month, I plan on publishing Throwback Thursday Reviews of A Wrinkle in Time (2004), Lara Croft: Tomb Raider, Pacific Rim, and Jurassic Park, new reviews of A Wrinkle in Time (2018), Tomb Raider, Pacific Rim: Uprising, Isle of Dogs, and Ready Player One along with a couple more Star Wars Speculation posts and some Academy Awards coverage this weekend.

Meanwhile, it's also worth mentioning that I'm in the process of updating the format of my "Movie Review" page and I've added an area where you can sign up for email updates. For those confused what that first part means, I have an area that's intended to ease navigation around my blog. On the side, there's a series of tabs that will direct you to pages and I'm currently modifying those pages to be more user-friendly. Now, you'll be directed to the respective review if you click on any of the banner images with my score and watermarked logo on them. Then if you'd like to subscribe to the email list, just go over to the side tabs and you'll find an area entitled "Follow by Email." Just enter in your preferred email address and press "Submit" to be added to the list and I believe you'll be notified via email anytime I publish something.

'Fantastic Mr. Fox' Review


Nominated For: Best Animated Feature and Best Original Score.

Twelve fox-years (two human-years) after settling down to start a family, Mr. Fox grows tired of his idyllic lifestyle and yearns to satisfy his animalistic urge of raiding farms. Unaware of the consequences, he seizes his ideal opportunity upon moving near the triple farms of Boggis, Bunce, and Bean. However, the tenacious farmers unexpectedly retaliate to his schemes so Mr. Fox, his family, and the surrounding animal community are forced deep underground where they must amass their cunning wits and instinctual gifts to emerge victorious against the shrewd farmers.
Fantastic Mr. Fox is a feature length stop-motion animated film based on Roald Dahl's famous children's book, which is directed by Wes Anderson and features a screenplay cowritten by Anderson and Noah Baumbach. If you're familiar with Anderson's work, you know what you're in for whenever you see a Wes Anderson production. Anderson's established himself in the industry as a filmmaker with an especially specific style, and it's almost impossible to deny that his approach to making movies is entirely unique. In this case, Anderson actually adapted Dahl's book in such spectacular fashion that he managed to marry his own unique sensibilities as a filmmaker with the spirit of Dahl's source material to the degree you'll believe the union was always meant to be.
 
As a brief aside, I was initially introduced to Wes Anderson through Fantastic Mr. Fox probably seven or eight years ago and I've been drawn to his work ever since! While I haven't explored his filmography extensively, I absolutely adore Moonrise Kingdom, The Grand Budapest Hotel, and can't wait to see Isle of Dogs in a few weeks! I'm quite captivated by Wes Anderson's flicks because they're characteristically quirky, colorful, and obsessively symmetrical with a good bit of wry, witty humor to spare. Seeing as Fantastic Mr. Fox was accomplished with the approach of stop-motion animation, the project seemed a perfect match for Anderson's eccentric artistry. 
Stop-motion has to be painstakingly precise if the models are to move with an authentic fluidity when it's all said and done, and I can even speak from personal experience as I dabbled with the medium when I was younger. Which is why I believe Anderson's OCD-like tendencies made him an appropriate artist to tackle this story through this technique. Credit should definitely also be bestowed to the animators for meticulously managing to position the puppets so their movements look genuine and lifelike and, of course, the intricate production design from Nelson Lowry is a nice touch!
Fantastic Mr. Fox isn't just a well-crafted work of stop-motion though... Anderson and Baumbach craftily convey Dahl's story as an exciting, outlandish animal adventure that's energized by a happy-go-lucky soundtrack and supplemental set of cheery compositions from Alexandre Desplat. However, one of the film's most attributed traits is its sharp, hysterical delivery of deadpan dialogue and the imaginative use of farcical situations for amusing interplay. 
As for the illustrious ensemble, Fantastic Mr. Fox features the likes of George Clooney, Meryl Streep, Jason Schwartzman, Eric Chase Anderson (Wes' brother), Wallace Wolodarsky, Bill Murray, Michael Gambon, Willem Dafoe, Owen Wilson, and Wes Anderson himself in the varying voice roles of assorted animals and heinous human farmers respectively. Each cast member explores the intricacies of their character in enough of an interesting, unique way that they all stick with you once it's all over. With that being said, Clooney slyly steals the show in a fittingly foxy fashion.
There are many words I could use to describe Fantastic Mr. Fox, but I believe the title hits the nail on the head with the word "fantastic." If you have not experienced this film or any of the entertaining antics of Wes Anderson, I strongly encourage you to dig deep into his filmography where you'll be met by a delightful array of equally excellent films.

Film Assessment: A+

Thursday, January 11, 2018

Throwback Thursday Review: 'Paddington'

This week I'm reviewing Paddington to coincide with American release of its sequel this weekend. I hadn't seen the film prior to last Saturday, but it's on Netflix for those interested. Reviews you can expect for the remainder of the month include Throwback Thursday Reviews of The World's End and The Shining, reviews of new releases Paddington 2, The Commuter, Proud Mary, 12 Strong, and Maze Runner: The Death Cure. I'll be reviewing any films from 2017 that I missed out on as I watch them so look forward to seeing some of those reviews up sometime soon as well. 

'Paddington' Review


Paddington journeys alongside a young bear after the devastating destruction of his quaint home in the Peruvian rain forest forces him to seek shelter and solace in London. Through circumstance, the altruistic bear meets the considerate Brown family while waiting at London Paddington station. The Browns then temporarily extend their home and hospitality in addition to bestowing the bear with an English name, "Paddington."
Paddington is a feature length film written and directed by Paul King that adapts Michael Bond's classic Paddington Bear children's book series. Beloved children's stories are regularly adapted to film nowadays, so the fact Paddington joined the pack wasn't too surprising. However, these modern adaptations typically lose sight of the source material's wholesome family-friendly angle. Instead, audiences are treated to crass, tasteless humor catered way too heavily towards children... Thankfully though, Paddington never found itself ensnared by such absurdity. 
King's script can sure be silly at times, but the humor is genuinely funny and well thought out. King could easily have appeased to younger audiences with stupid, purposeless jokes encompassing flatulence, but Paddington rises above every opportunity to tell a charming, virtuous tale about a marmalade-loving bear from Peru. 
In regards to the film's technical prowess, Paddington looks and sounds very much like a Wes Anderson production due to a quirky, colorful aesthetic and a breakneck score from Nick Urata, but I can assure you it's not one. King was clearly inspired by Anderson's work, but that's not the only influence on Paddington, as the Peruvian bear even tips his red hat to Raiders of the Lost Ark and Mission: Impossible in two distinct instances. Now, I probably couldn't finish writing this review without applauding the film's vfx team for the wonderful work on creating a convincing CG-Paddington. Oftentimes, CG-creatures found in live action family films aren't quite authentic in their appearance, instead seeming distinctly digital. However, the vfx department's fine craftsmanship here did not go unnoticed.  
Paddington's cast features the likes of abundant accomplished actors from Great Britain, and everyone turns in a fine performance. Front and center, Ben Whishaw bestows Paddington with a kindred spirit and naive nature through his sufficient voice work. Sally Hawkins makes for a calm, endearing presence as Mary Brown while Hugh Bonneville's Henry Brown is ill-tempered and uptight, and their troubled parental dynamic wound up being a plus for me! The Brown children, Judy and Jonathan, are portrayed by Madeleine Harris and Samuel Joslin respectively, who each offer up quality performances for their age. While I wouldn't say they quite fit into that upper echelon of young actors who have emerged lately, I'd still consider them the cream of the crop as far as child talent goes. 
In the antagonistic camp, Nicole Kidman plays Millicent as an over-the-top taxidermist, and it totally works due to Kidman's commitment and the sometimes cartoonish setting surrounding her. Peter Capaldi, who's probably best known as the last Doctor Who, steps into the shoes of the Brown family's nefarious neighbor Mr. Curry and manages to constantly complain about the beloved bear in astonishingly amusing ways. Also, there's a number of familiar faces from the Wizarding World to be found among the film's exceptional British ensemble including the likes of Julie Walters, Michael Gambon, Imelda Stanton, and Jim Broadbent in roles of varying size and substance. 
At its best, Paddington is a bear-y good example of something that doesn't come around too often these days... A loving, wholesome adaptation of a classic children's book that the entire family can enjoy.

Film Assessment: B