Showing posts with label John Ortiz. Show all posts
Showing posts with label John Ortiz. Show all posts

Sunday, February 4, 2018

'The Cloverfield Paradox' Review

The Cloverfield Paradox chronicles the unexpected results of a scientific experiment involving a particle accelerator aboard a space station as the crew become isolated and must fight for their survival.
In all honesty, I was not expecting to be reviewing this film anytime soon... It had bounced around with a couple different release dates in the past year and I had no idea if it would ever see the light of day... For those who don't know about The Cloverfield Paradox's marketing stunt, the film had no prior promotion before the Super Bowl whatsoever... Then they released a thirty second teaser and announced it would be available to stream on Netflix hours later after the game. Now, this idea is entirely unprecedented and Netflix literally made history last night. Sure, there had been rumblings about the the film going to Netflix these past few weeks and there were also rumors that surfaced just before the game about it being available afterwards, but still, they were just rumors. There was little confirmation. However, Paramount, Bad Robot, and J.J. Abrams pulled off another insane marketing stunt with the help of Netflix. As a marketing major myself, I couldn't help but admire their audacity!! Honestly, once the Avengers: Infinity War TV spot aired, I was ready for the game to end so I could finally watch the third entry to the Cloverfield franchise.
Marketing gimmicks aside, you came here to read my thoughts on the film itself, correct? Well... I'm going to be especially vague on plot details to avoid spoilers, but without further ado, here we go! The Cloverfield Paradox is another anthology entry following Cloverfield and 10 Cloverfield Lane, meaning it's not a direct sequel to the others but takes place in the same universe with slight connections to the other two entries in the series. The film's directed by Julius Onah and features a screenplay written by Oren Uziel and Doug Jung. Onah seems to tap right into the franchise's core sensibility of suspense while bringing another genre to the forefront. Where Cloverfield was a found-footage monster movie and 10 Cloverfield Lane was a claustrophobic thriller, The Cloverfield Paradox is a sci-fi horror.
I've already seen some comparing it to Alien, but to me, it was hardly anything like Alien... If anything, I actually appreciated that the crew's situation was entirely unlike the one we're used to seeing in those films. This crew was facing something completely different, and I liked that change of pace for the genre considering how Life was such an Alien rip-off last year. My only issues were that some crew members were underdeveloped, the film was a little slow to get going, it fell into some of the space station movie tropes, and that it seemed really odd that the term "Cloverfield" was used so often in universe considering neither of the last two films did that... I'm not into all the ARG stuff so I could be wrong, but it just seemed odd to me regardless. Overall, I liked the visual effects, performances, Bear McCreary's spectacular score, and how Dan Mindel effectively navigated capturing a claustrophobic setting as cinematographer.
The stand-out cast members were undoubtedly Gugu Mbatha-Raw, Daniel Brühl, Chris O' Dowd, and David Oyelowo, who each turned in a fine performance. Mbatha-Raw, in particular, really impressed me as Ava Hamilton and made for an engaging lead character that I could really get behind as I was especially intrigued by her character's central conflict. On the flip-side, Elizabeth Debicki seemed to act a little wooden and stilted, which didn't quite work for the character. Her motivations also seemed to suddenly shift at one point, and while I understood why she did what she did, the change took me a bit off-guard. All the other members of the ensemble were good in the capacity utilized.
While I wouldn't go as far to calling The Cloverfield Paradox the best Cloverfield movie, I consider it an interesting addition to the anthology and think it's well worth watching from the comfort of your own home. For the most part, I felt The Cloverfield Paradox was successful in what it set out to achieve by connecting the grand Cloverfield-verse while providing some impressive visuals and stimulating space thrills along the way. 

Film Assessment: B-

Monday, January 2, 2017

Throwback Thursday Review: 'Fast & Furious'

Sorry for the delayed review but I decided to instead just knock two birds out with one stone and continue my series of Fast & Furious reviews by releasing my thoughts on The Fast and the Furious: Tokyo Drift and Fast & Furious. Films I hope to see and review in 2017 that I didn't get around to in 2016 include Collateral Beauty and Passengers.


'Fast & Furious' Review


Fast & Furious is the fourth entry into the Fast & Furious franchise refocusing on the core cast from
The Fast and the Furious as Brian O'Connor, now with the FBI, must reteam with Dominic Toretto to bring down a drug lord. While Fast & Furious doesn't exactly revolutionize the franchise, it does begin the transition to more watchable entertainment.
Justin Lin returns to direct and the step-up in production value is evident as the stunts are crazier, the acting's slightly improved, and the cinematography is competent. Not that this will surprise anyone but there's little substance or story in Fast & Furious. It's all about the number of fast cars and attractive women they can stuff into one production.
I'm convinced this about the time that the Fast & Furious franchise found it's niche: ridiculous stunts involving cars. It's not till the subsequent entry that they find an adequate balance between that and a suitable story. The action is much more exhilarating than previous installments as the cars are faster and I guess the characters are more furious?
Chris Morgan's screenplay builds some generic character arcs but these are much better than those found in the last three entries. Morgan also throws in some nice twists and turns that show some characters at their most vulnerable and just managed to better dress ongoing events.
The performances are improved for sure as Vin Diesel gets to showcase some range, Paul Walker has some charisma to him now, and Jordana Brewster and Michelle Rodriguez make the most of what they're given. Gal Gadot makes her debut to the franchise, making a convincing hench-woman of sorts, and John Ortiz is an evil drug lord and does what he can to make an impression.
Again, Fast & Furious offers up everything you expect from the franchise but everything's slightly more refined than usual.

Film Assessment: C-