Power Rangers is directed by Dean Israelite with a screenplay penned by John Gatkins and story elements pooled from Matt Sazama, Burk Sharpless, and Michele and Kieran Mulroney. Israelite does a fine job juggling the responsibilities of director, maintaining momentum in the character-driven storytelling while helming some serviceable action sequences. I wasn't too big a fan of the shaky-cam cinematography Israelite and Matthew Lloyd chose to utilize or the slo/fast-mo editing incorporated in the third act finale but the action is fine for the most part. The visual effects looked great and really sold the more outlandish elements that accompany Power Rangers. The suit's have garnered a lot of comparison to Iron Man's armor but I thought they looked cool in the action scenes and are miles better than the '90s outfits.
One of my concerns going into Power Rangers was that the filmmakers were going to strive to be a gritty, dark reboot of a silly, campy concept and while the film was serious, I was pleasantly surprised with the middle ground discovered by the creative team, even though Power Rangers can be tonally inconsistent on occasion. Gatkins did a wonderful job as screenwriter positioning the lead characters to be both authentic and relatable teenagers without leaning too heavily on teen angst or any other perpetual overblown teenage stereotypes.
All the characters are outcasts but they're outcast in a believable manner; Jason and Kimberly are both twists on the typical popular kids, Billy is on the spectrum, Zack is a rebel with a cause, and Trini is lesbian. I don't think there's nearly as much controversy on that as what surrounded Beauty and the Beast (2017) but Trini is portrayed as the first openly LGBT superhero so that's worth noting I guess. The film doesn't draw much attention to it though so it never felt like a distraction and honestly it didn't do much to affect the story whatsoever. In fact, the element of the screenplay I was mostly interested with was the character dynamics and background opposed to the generic third act battle against a CG-army. If you're going to Power Rangers for the action alone, you may be bored for a good hour and a half due to the nature of being an origin story but I personally liked the decision to flesh out the characters.
Yes, the script has plot holes, clichés, and the writing isn't particularly strong but the cast assembled really elevate the material. Dacre Montgomery seems to have what it takes to be a star and certainly exemplifies all the attributes of a leading man with his take on Jason (The Red Ranger). Montgomery managed to capture charisma and a vulnerability you wouldn't expect from his character that made him a likable leader. Naomi Scott made for a nice leading female character as Kimberly (The Pink Ranger), who thankfully wasn't there for either sex appeal or to be the damsel in distress but rather turned out to be a compelling character in her own right.
RJ Cyler however, was without a doubt the standout with his portrayal of Billy (The Blue Ranger), channeling autism in a manner that seemed authentic and respectful to those on the spectrum while just being a good-spirited likable presence. Ludi Lin's Zack (The Black Ranger) and Becky G's Trini (The Yellow Ranger) probably have the least to do of the five and feel underdeveloped in comparison but their characters didn't draw my interest so I was ok with that. Across the board, the five Rangers felt well-cast and suited to their respective roles and managed to sell the team dynamic thanks to their friendly chemistry. Elsewhere, Bryan Cranston does as much as you'd expect an actor of that caliber to possibly put forth as a floating head and Bill Hader was a nice source of comedic relief as Alpha 5.
If there's one thing I absolutely hated in this movie, it would have to be Elizabeth Banks' over-the-top portrayal of Rita Repulsa. I got some Suicide Squad Enchantress vibes from Banks' performance and that's not a good thing... Banks goes full-in on the hammy villainy you'd expect to see in the campy children's television series but in the context of this more grounded iteration of the Rangers Banks comes across to be absolutely ridiculous. She's almost singlehandedly the source of Power Rangers' tonal issues and I'd put her up for worst performance of the year with no questions asked.
One thing I'd be remised to leave out of this review is that this film has the plenty of blatant product placement, like most other blockbusters in this day-and-age. However, Power Rangers highlights one specific company to the extent that this company actually became an integral plot point and I thought it was hilarious that Power Rangers ended up being a feature length commercial for this company (I won't mention it for those who'd consider it a spoiler).
In conclusion, Power Rangers doesn't do much to stand out from the packed superhero genre but it offers an entertaining escapade for those seeking a fun time. Power Rangers ultimately suffers from being a tried-and true team superhero origin story but the core cast impressed me and helped make the film an enjoyable experience. I can highly recommend this to hardcore Power Rangers fans, who probably don't need my endorsement to begin with, and would say it's worth at least checking out once for those on the fence. While I may not have left the theater jumping up and down screaming "GO GO POWER RANGERS," I did enjoy it as the superficial popcorn blockbuster it was meant to be and would be up to go go see any sequels.
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